---
product_id: 1265185
title: "Frozen"
price: "€ 28.10"
currency: EUR
in_stock: true
reviews_count: 13
url: https://www.desertcart.at/products/1265185-frozen
store_origin: AT
region: Austria
---

# Frozen

**Price:** € 28.10
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Frozen
- **How much does it cost?** € 28.10 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.at](https://www.desertcart.at/products/1265185-frozen)

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## Description

A sweet, magical film filled with great music, likable characters, and striking effects, Frozen is a fairy tale about overcoming obstacles and the power of true love. Princesses Anna and Elsa are sisters and the closest friends until one day Elsa discovers that she can no longer control her power to create ice and snow. Terrified for the safety of her sister and everyone around her, Elsa isolates herself and vows to never feel any sort of passionate emotion again in hopes of suppressing her powers. But when Elsa comes of age and is set to be crowned queen, she must open the gates of the palace and let in the public, not to mention her sister Anna. Things go horribly wrong and Anna pursues her sister into the mountains in an attempt to save Elsa and reverse the deep freeze that Elsa has inadvertently released on the kingdom of Arendelle. Along the way, Anna joins forces with Kristoff (Jonathan Groff), an ice seller with a strangely close relationship with his reindeer Sven, and Olaf (Josh Gad), a goofy snowman whom she suddenly remembers from early childhood. In the end, Anna and Elsa discover that only by embracing their deepest feelings do they have a chance of saving themselves and the kingdom. Inspired by "The Snow Queen" story by Hans Christian Andersen, the film has plenty of quirky, lovable characters along with a nice blend of corny humor, serious sentiment, suspense, and peril. Kristen Bell and Idina Menzel deliver rousing performances of great music that includes original songs by Kristen Anderson-Lopez and Robert Lopez and an original score by Christophe Beck, and the visual effects are simply stunning. Frozen definitely succeeds in captivating audiences young, old, and every age in between. --Tami Horiuchi Walt Disney Animation Studios presents a chilly twist on one of the most humorous and heartwarming stories ever told. Fearless optimist Anna sets off on an epic journey -- teaming up with rugged mountain man Kristoff and his loyal reindeer Sven -- to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom.

Review: A series of happy accidents that conspire to make a superb classic - Like many adults, when I first saw the trailers for this, I was uninspired. Sure, kids will always like it, it's a Disney thing, how bad could it ever be! However, under the helmsmanship of the brilliantly creative John Lasseter, the film was made, remade, then remade again into a beautiful animated story. I am a writer, and although I know story is always king, films are different than books, and in a film you must have other visual and sound elements that make it gripping and appealing. Having read "The Snow Queen" by HCA, I can see why that tale would be hard to make into a good movie - too dark, too dull, too disconnected from the public watching it. "Frozen" gives us somewhat flawed, human characters that have been SO-O carefully written, and SO-O carefully animated by a team of brilliant animators, that, although they don't look precisely like normal humans, they do come alive with a spirit that touches us all. The story is of two sisters, who grew up close and then get somewhat separated - although you'd have to account for them seeing each other sometimes, since they both know WAY too much about the other not to have seen each other at all for some 15 years. Still, they have always loved each other, and both cherish the value of family (witness the true painful sadness at the loss of their parents). Yet they have a problem with the oldest child having been born with an incredible power that can create ice and snow from the existing atmosphere, manufacture blizzards, and also create several other things (like dresses, ices skates, and living snowmen) from thin air - all and all an awesome power for someone to have. Now all of this can certainly be fun, but, like all things of power, especially in the hands of a young child, they can also be dangerous, which is precisely what the magical Trolls tell us early on; this provides the monumental difficulty for the two sisters. Thus, because Elsa is just a kid when she discovers this, she has no real ability to control it. Her father's message of "conceal it, don't feel it" is not at all helpful, since she doesn’t practice how to control her powers for all those successive years of growing up; however, the father’s advice is logical to give his precious daughter, trying to keep her, and all those around her, safe. When Elsa’s gift is discovered by the community, and she is thought to be a monster - logically enough - she is left with no choice she can think of but to run off and be alone so she won't hurt anyone, and where she can also be herself. There, in the ice and snow wilderness, she discovers all her powers and LETS IT GO! But Anna, who now comes to the crushing realization of what has been happening with her sister all these years, is personally hurt for not understanding before and is still out of a sibling who she loves; and so, she chases after her, picking up the gentlemanly Kristoff and lovable Olaf on the way. The trek Anna and Kristoff make is interesting and truly charming, with some great music and adventure on the way. But finding Elsa still doesn't make this an easy rescue, for Elsa is still worried about the damage she can cause since, unbeknownst to her, the fear she can't control within her is destructive; in fact, she thinks of it as a curse. Thus, she chases her sister away to try to save her from harm. In the process, she accidentally strikes Anna with her ice-making power again, this time in the heart, harming her. Kristoff realizes it and knows he has to take her to the magical Trolls, which are his family, to save her. However, after some nice Troll music and another group of charming scenes, the Troll king says he cannot save her, cannot thaw her heart, which only an act of true love can do. And here we have the heart of the story, although the writers sort of err, if in a forgivable way, because that “act of true love” is given several times by Kristoff who takes her to find her sister, and later the Trolls, in the first place and then rushes her back to Arendelle to see Hans who will hopefully save her by thawing her heart with a true love’s kiss - but you don't need more of an act of true love than what Kristoff has already done a few times! BUT, they give you one anyway, when Hans tries to kill Elsa, and Anna risks her own life to save the older sister she has always adored. SO, here we are, with two sisters, each of whom loves the other enough to sacrifice herself for her - Elsa, in her lifelong sacrifice of self-imposed solitude, just to keep her sister safe, and Anna, by putting herself in the way of the sword to save Elsa from being slain. Ultimately, it is the quintessential family message of love and sacrifice that saves the sisters, their family, and the kingdom, since Elsa now realizes that love is the way to control her magical power and be a benefit to her kingdom instead of a dangerous curse. This heavy message, so gleefully done, and so brilliantly animated by characters that come alive right before our eyes, with realistic gestures, movements, and expressions, touches our hearts and are what make this film unmatched by any previous Disney animation. The original story idea? TERRIBLE! The dropping of the "Do you want to build a snowman" song - unforgivably stupid; fortunately Lasseter had the common sense to put it back in. Thus, the film they finished with was a spectacular tale of great music, heartfelt pathos, and visual splendor that they are going to have a difficult time repeating in Frozen 2! I mean, the making of the ice castle scene with Elsa singing “Let It Go” (through Idina Menzel’s spectacular voice) is virtually worth the price of the movie all by itself. I have one criticism of the marketing of “Frozen” - it is not a story about a young girl searching for her sister trying to restore summer to Arendelle; it IS a story of the Snow Queen, and how Elsa metamorphosizes from a problem child with powerful magic she can’t control to a full grown woman who learns how to control her power for good utilizing her natural love for her sister, and for her kingdom. That said, there are so many good things about this movie, that everyone should own a copy of it to watch over and over.
Review: Love the new generation of Disney! - A household favorite! I let my toddler watch a video at night at before she gets ready for bed. This has been in our DVD player since the day it arrived. She loves it, and so do I. Normally when she's watching a movie, I use that time to pick up around the house. Not with this movie. I get everything done before the movie starts so I can watch it with her. Keep in mind, it's still a Disney story, so there are the signature elements of fairy tales, princesses, and the quest for love. However, the story line is well written, and much more modern for the times. Disney is maturing in their character growth, subject matter, and tone. This is the epitome of an animated musical. The songs are catchy, my daughter is 2 1/2 and she loves to run all over the house singing "Let it go", and knows the words almost verbatim. Elsa is the oldest sister, born with the power to freeze what she touches. She and Anna were close in their youth, until one day Elsa struck her with her powers while they were playing. Elsa was isolated from Anna by their parents, and Anna never understood why, and has been trying to reconnect with Elsa from that day forward. Three years after their parents pass away (remember, it's Disney), Elsa becomes queen. After her coronation, that's when the true grit of the movie begins. Disney really did a wonderful job capturing the attention of all ages in this story. I feel for Elsa, while most think she's the villain...but you'll have to watch and find out for yourself. Anna is lonely growing up in the castle without having much contact with her big sister. She can't wait for her sister's coronation because the gates will finally reopen, and she'll have contact with actual people for the first time in years. The character's introduced later, Kristoff, and his reindeer Sven, Prince Hans, Olaf the snowman, the trolls, and the other minor characters that come and go throughout the movie, make this one of the best Disney films I've ever seen. Disney will always have their classics, like Little Mermaid, Cinderella, etc., but this next generation of Disney films seems to be a power house in the making. This movie was entertaining, compelling, and an easy to story to get lost in. Well done Disney! Looking forward to what lies ahead!

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Contributor | Chris Buck, Jennifer Lee, Peter Vecho |
| Customer Reviews | 4.8 out of 5 stars 61,812 Reviews |
| Format | Blu-ray |
| Genre | Animation |
| Initial release date | 2013-11-27 |
| Language | English |

## Product Details

- **Contributor:** Chris Buck, Jennifer Lee, Peter Vecho
- **Format:** Blu-ray
- **Genre:** Animation
- **Initial release date:** 2013-11-27
- **Language:** English

## Images

![Frozen - Image 1](https://m.media-amazon.com/images/I/8141T+06BSL.jpg)
![Frozen - Image 2](https://m.media-amazon.com/images/I/91O-bL3r8wL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A series of happy accidents that conspire to make a superb classic
*by R***O on December 31, 2015*

Like many adults, when I first saw the trailers for this, I was uninspired. Sure, kids will always like it, it's a Disney thing, how bad could it ever be! However, under the helmsmanship of the brilliantly creative John Lasseter, the film was made, remade, then remade again into a beautiful animated story. I am a writer, and although I know story is always king, films are different than books, and in a film you must have other visual and sound elements that make it gripping and appealing. Having read "The Snow Queen" by HCA, I can see why that tale would be hard to make into a good movie - too dark, too dull, too disconnected from the public watching it. "Frozen" gives us somewhat flawed, human characters that have been SO-O carefully written, and SO-O carefully animated by a team of brilliant animators, that, although they don't look precisely like normal humans, they do come alive with a spirit that touches us all. The story is of two sisters, who grew up close and then get somewhat separated - although you'd have to account for them seeing each other sometimes, since they both know WAY too much about the other not to have seen each other at all for some 15 years. Still, they have always loved each other, and both cherish the value of family (witness the true painful sadness at the loss of their parents). Yet they have a problem with the oldest child having been born with an incredible power that can create ice and snow from the existing atmosphere, manufacture blizzards, and also create several other things (like dresses, ices skates, and living snowmen) from thin air - all and all an awesome power for someone to have. Now all of this can certainly be fun, but, like all things of power, especially in the hands of a young child, they can also be dangerous, which is precisely what the magical Trolls tell us early on; this provides the monumental difficulty for the two sisters. Thus, because Elsa is just a kid when she discovers this, she has no real ability to control it. Her father's message of "conceal it, don't feel it" is not at all helpful, since she doesn’t practice how to control her powers for all those successive years of growing up; however, the father’s advice is logical to give his precious daughter, trying to keep her, and all those around her, safe. When Elsa’s gift is discovered by the community, and she is thought to be a monster - logically enough - she is left with no choice she can think of but to run off and be alone so she won't hurt anyone, and where she can also be herself. There, in the ice and snow wilderness, she discovers all her powers and LETS IT GO! But Anna, who now comes to the crushing realization of what has been happening with her sister all these years, is personally hurt for not understanding before and is still out of a sibling who she loves; and so, she chases after her, picking up the gentlemanly Kristoff and lovable Olaf on the way. The trek Anna and Kristoff make is interesting and truly charming, with some great music and adventure on the way. But finding Elsa still doesn't make this an easy rescue, for Elsa is still worried about the damage she can cause since, unbeknownst to her, the fear she can't control within her is destructive; in fact, she thinks of it as a curse. Thus, she chases her sister away to try to save her from harm. In the process, she accidentally strikes Anna with her ice-making power again, this time in the heart, harming her. Kristoff realizes it and knows he has to take her to the magical Trolls, which are his family, to save her. However, after some nice Troll music and another group of charming scenes, the Troll king says he cannot save her, cannot thaw her heart, which only an act of true love can do. And here we have the heart of the story, although the writers sort of err, if in a forgivable way, because that “act of true love” is given several times by Kristoff who takes her to find her sister, and later the Trolls, in the first place and then rushes her back to Arendelle to see Hans who will hopefully save her by thawing her heart with a true love’s kiss - but you don't need more of an act of true love than what Kristoff has already done a few times! BUT, they give you one anyway, when Hans tries to kill Elsa, and Anna risks her own life to save the older sister she has always adored. SO, here we are, with two sisters, each of whom loves the other enough to sacrifice herself for her - Elsa, in her lifelong sacrifice of self-imposed solitude, just to keep her sister safe, and Anna, by putting herself in the way of the sword to save Elsa from being slain. Ultimately, it is the quintessential family message of love and sacrifice that saves the sisters, their family, and the kingdom, since Elsa now realizes that love is the way to control her magical power and be a benefit to her kingdom instead of a dangerous curse. This heavy message, so gleefully done, and so brilliantly animated by characters that come alive right before our eyes, with realistic gestures, movements, and expressions, touches our hearts and are what make this film unmatched by any previous Disney animation. The original story idea? TERRIBLE! The dropping of the "Do you want to build a snowman" song - unforgivably stupid; fortunately Lasseter had the common sense to put it back in. Thus, the film they finished with was a spectacular tale of great music, heartfelt pathos, and visual splendor that they are going to have a difficult time repeating in Frozen 2! I mean, the making of the ice castle scene with Elsa singing “Let It Go” (through Idina Menzel’s spectacular voice) is virtually worth the price of the movie all by itself. I have one criticism of the marketing of “Frozen” - it is not a story about a young girl searching for her sister trying to restore summer to Arendelle; it IS a story of the Snow Queen, and how Elsa metamorphosizes from a problem child with powerful magic she can’t control to a full grown woman who learns how to control her power for good utilizing her natural love for her sister, and for her kingdom. That said, there are so many good things about this movie, that everyone should own a copy of it to watch over and over.

### ⭐⭐⭐⭐⭐ Love the new generation of Disney!
*by S***G on April 26, 2014*

A household favorite! I let my toddler watch a video at night at before she gets ready for bed. This has been in our DVD player since the day it arrived. She loves it, and so do I. Normally when she's watching a movie, I use that time to pick up around the house. Not with this movie. I get everything done before the movie starts so I can watch it with her. Keep in mind, it's still a Disney story, so there are the signature elements of fairy tales, princesses, and the quest for love. However, the story line is well written, and much more modern for the times. Disney is maturing in their character growth, subject matter, and tone. This is the epitome of an animated musical. The songs are catchy, my daughter is 2 1/2 and she loves to run all over the house singing "Let it go", and knows the words almost verbatim. Elsa is the oldest sister, born with the power to freeze what she touches. She and Anna were close in their youth, until one day Elsa struck her with her powers while they were playing. Elsa was isolated from Anna by their parents, and Anna never understood why, and has been trying to reconnect with Elsa from that day forward. Three years after their parents pass away (remember, it's Disney), Elsa becomes queen. After her coronation, that's when the true grit of the movie begins. Disney really did a wonderful job capturing the attention of all ages in this story. I feel for Elsa, while most think she's the villain...but you'll have to watch and find out for yourself. Anna is lonely growing up in the castle without having much contact with her big sister. She can't wait for her sister's coronation because the gates will finally reopen, and she'll have contact with actual people for the first time in years. The character's introduced later, Kristoff, and his reindeer Sven, Prince Hans, Olaf the snowman, the trolls, and the other minor characters that come and go throughout the movie, make this one of the best Disney films I've ever seen. Disney will always have their classics, like Little Mermaid, Cinderella, etc., but this next generation of Disney films seems to be a power house in the making. This movie was entertaining, compelling, and an easy to story to get lost in. Well done Disney! Looking forward to what lies ahead!

### ⭐⭐⭐⭐⭐ AWESOME MOVIE!!!!!!!!
*by A***E on March 17, 2014*

When the trailer for ‘Frozen’ was dropped a few months back, I predicted a dud. It looked so generic and obvious and unfunny and repetitive and just everything I didn’t want it to be. When news of the film broke I was ecstatic. Disney, doing another musical, basing it off of a very dark and disturbing tale. I knew it would get white washed a bit (which I was fine with), but it was a MUSICAL and so I was automatically game for it. Then that trailer deceived me. Still, my daughters were hooked with the very first television spot, and they’ve had the dolls for nearly a month already, and so we were going to see this opening night. With expectations low (despite some good early ink), there was nowhere to go but up for this film, and it didn’t just go up, it blew through the roof! Yes, ‘Frozen’ is easily Disney’s best film since ‘Beauty and the Beast’ and honestly, one of the best musicals since. It’s a visual feast, charming and sincere, and an unexpected twist on a tale of love, family and acceptance with beautiful shades that make this something truly special. The film tells the story of two sisters, Anna and Elsa. In early childhood, they are joined at the hip. Elsa has an ancient power to create ice (a power that is never explained, and quite frankly doesn’t need to be) and they use her power as an advantage to their playing. When an accident occurs and Anna is injured, Elsa becomes terrified of her ‘gift’ and basically locks herself away from everyone and everything, including Anna. The two obviously drift apart (‘Do You Want to Build a Snowman’ is a marvelous musical moment and brought tears to my eyes) and after the loss of their parents things only get worse. Now fully grown, Anna is a naïve and desperate young woman seeking any attention she can get, and Elsa is distant and misunderstood. On the night of Elsa coronation things go amuck and her secret is exposed to disastrous consequences, and soon Elsa is forced to flee and Anna is left to track her down and ‘thaw’ her town. Now, many have balked before seeing the film that Anna is reduced to yet another Disney stereotype, a girl who needs a man to get the job done. Ignorance is bliss, I suppose, but ‘Frozen’ certainly takes a different approach that the one expected and presents us with a lovable tomboy, a klutz who takes risks and places faith and is willing to ‘take the bull by the horns’, even when its beyond her reach. Sure, she is aided by a man, but she doesn’t need him around (and even the twist at the end where it could have easily fallen into stereotype of ‘man saves the day’ turns out to be even more sincere and honest in the way it finally comes out). Anna is a great role model for young girls (and surprisingly, so is Elsa) and the beautiful bond created by Disney here is unlike anything I’ve seen them do before. Yes, while the film does eventually give is an antagonist (albeit ever so briefly and the way the villain is handled is light and a very nice change of pace), the beauty of ‘Frozen’ is that the chief antagonist is not a singular person but the inner struggle to be accepted and understood. Elsa is not a monster, she is simply scared or herself and what she may do to those whom she loves. ‘Frozen’ does a marvelous job of portraying the bond between sisters and the lengths each will go to protect and love the other. My daughter was in tears over their separation; that is how heartfelt this portrayal is. ‘Frozen’, in my eyes, is one of the best things Disney has done; ever. The film is a modern-day classic and one that is sure to be remembered and regarded as a beloved nod to the Disney Renaissance with obvious modern twists and its own identity. I’m not exaggerating when I say that I can see this being spoken of in the same circles as ‘Beauty and the Beast’, ‘Cinderella’ and ‘The Little Mermaid’. While ‘Tangled’ certainly helped Disney regain their footing after some serious dips in quality, ‘Frozen’ completely redeems them and proves that they are still as magical as they ever were. Take that Pixar! And let’s just talk about the musical angle for just a moment. This is one of those rare gifts that actually feel like a true Broadway show. The use of music is integral to the feel of the story, and the glorious visual expanse helps create an epic and ‘larger than life’ reality. When Elsa has her big number (‘Let it Go’ is one of the greatest Disney ballads of all time, easily) you can feel the goose-bumps and your heart starts beating faster. This is a beautifully nostalgic reminder of the power of Disney, and it helps bring those same chills and thrills to a new and younger generation. I have never seen my daughter so excited to be watching a film as I saw her while watching ‘Frozen’. It carries a different feeling.

## Frequently Bought Together

- Frozen [Blu-ray]
- Encanto

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*Store origin: AT*
*Last updated: 2026-06-03*