---
product_id: 2215272
title: "MW"
price: "€ 42.21"
currency: EUR
in_stock: true
reviews_count: 13
url: https://www.desertcart.at/products/2215272-mw
store_origin: AT
region: Austria
---

# Complex character duality Classic manga collectible Deep psychological thriller MW

**Price:** € 42.21
**Availability:** ✅ In Stock

## Summary

> 📖 Unlock the dark genius of Tezuka—where manga meets mind-bending thriller.

## Quick Answers

- **What is this?** MW
- **How much does it cost?** € 42.21 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.at](https://www.desertcart.at/products/2215272-mw)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
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## Key Features

- • **A conversation starter:** Join the elite circle appreciating groundbreaking graphic literature.
- • **Dive into a cult classic:** Osamu Tezuka’s darkest, most gripping manga masterpiece.
- • **Unrivaled storytelling depth:** Explores taboo themes and political intrigue with mature, sophisticated narrative.
- • **Complex characters & plot twists:** Experience a thrilling blend of suspense, identity, and moral ambiguity.
- • **Collector’s gem in good condition:** Used but well-preserved—perfect for discerning manga aficionados.

## Overview

MW is a rare, used edition of Osamu Tezuka’s critically acclaimed adult manga, blending psychological thriller, political drama, and complex homoerotic themes. Serialized since 1976, it follows Michio Yuki, a sociopathic anti-hero shaped by a deadly gas incident, navigating Tokyo’s elite by day and committing chilling crimes by night. This graphic novel is a must-have for collectors and fans of mature, thought-provoking manga.

## Description

Comics god Osamu Tezuka's darkest work, MW is a chilling picaresque of evil. Steering clear of the supernatural as well as the cuddly designs and slapstick humor that enliven many of Tezuka's better-known works, MW explores a stark modern reality where neither divine nor secular justice seems to prevail. This willfully "anti-Tezuka" achievement from the master's own pen nevertheless pulsates with his unique genius. Michio Yuki has it all: looks, intelligence, a pedigree as the scion of a famous Kabuki family, a promising career at a major bank, legions of female admirers. But underneath the sheen of perfection lurks a secret with the power to shake the world to its foundations. During a boyhood excursion to one of the southern archipelagos near Okinawa, Yuki barely survived exposure to a poison gas stored at a foreign military facility. The leakage annihilated all of the island's inhabitants but was promptly covered up by the authorities, leaving Yuki as an unacknowledged witness--one whose sense of right and wrong, however, the potent nerve agent managed to obliterate. Now, fifteen years later, Yuki is a social climber of Balzacian proportions, infiltrating the worlds of finance and politics by day while brutally murdering children and women by night--perversely using his Kabuki-honed skills as a female impersonator to pass himself off as the women he's killed. His drive, however, will not be satiated with a promotion here and a rape there. Michio Yuki has a far more ominous objective: obtaining MW, the ultimate weapon that spared his life but robbed him of all conscience. There are only two men with any hope of stopping him: one, a brilliant public prosecutor who struggles to build a case against the psychopath; the other, a tormented Catholic priest, Iwao Garai, who shares Yuki's past--and frequently his bed. Serialized beginning in 1976 in Big Comic magazine, where Tezuka's trailblazing medical thriller Ode to Kirihito had appeared a few years earlier, MW probes the complexities of homoeroticism as well as the reality of extensive U.S. military presence in Japan. The result is as bracing today as it was thirty years ago. “Darker than you think—than you want to think […] MW took on the stuff of today’s headlines some thirty years ago.” —The Agony Column “MW is the newest of those masterpieces to be translated into English, and like everything else with [Tezuka’s] name on it, you are cheating yourself out of one of the best graphic novels out right now if you don’t read it.” —Advanced Media Network “Tezuka spins an entertaining, slightly preposterous yarn, serving up more plot twists, car chases, and gender-bending costume changes than Dressed to Kill and The Manchurian Candidate combined.” —popcultureshock “You’ll stare at the page, eyes popping and muttering, ‘I cannot believe I just read that.’ But you did, and it worked, and you turn the page.” —David Welsh, Comic World News

Review: "Astro Boy" it ain't...or "Black Jack"...or even "Ode to Kirihito." - This is the story of the two survivors of an "accident." In the early `60s, the United States stashed away on a tiny Japanese island, with Japanese cooperation, of course, some deadly gas (Tezuka calls it "MW,"--hence the title)--we really did---but in Tezuka's manga some leaks out, killing all 800 inhabitants of the island. The survivors, Iwao Garai, 15, and Michio Yuki, 9, are protected from the gas because they are sheltered in a cave. When they come out the next morning, it is to an island of the dead: men, women, children, birds and beasts--every sentient being. The gekiga (a manga for adults, which MW is, in spades) tells us about the rest of their lives, (almost...) beginning 15 years later. We find out about the events on the island in flashbacks. What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him. Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody. There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock. The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."
Review: Must read. Even if Manga/Graphic Novels aren't your thing this is a full fledge omnibus - Big Book Like Many of Tezuka's genious. This may be, one of the greatest peices of literature with art of the era, I have read. Its long, deep and smart. It was written with a direction and its a trek to the end at glance (its an omnibus,most are big ie:Tomie) but the journey of the things you will see and read i. Chapter one alone will confuse you and disorent you. Some people might be sensitive to the material I'm not like that at all but its graphic, in a Mr. Magoo kind of way at times almost adding an element new readers to this kind of work will either hate or enjoy. Ito does very good realistic work, for reasons Osamu goes middle ground;less so in this than earlier work, Human Insect's. Came damaged to hell, i fixed it rebound it with PVA Ph and hard work. Took 45min, I have the hardcover in Japanese but this reviews for English ver. If anyone wants to know how to say the title. In Japan, it sounds like 'Moo' or "mu" I have heard said in New York.

## Features

- Used Book in Good Condition

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #140,008 in Books ( See Top 100 in Books ) #135 in Mystery, Thriller & Crime Manga #6,579 in Teen & Young Adult Literature & Fiction |
| Customer Reviews | 4.7 out of 5 stars 350 Reviews |

## Images

![MW - Image 1](https://m.media-amazon.com/images/I/71eCodNJ4xL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ "Astro Boy" it ain't...or "Black Jack"...or even "Ode to Kirihito."
*by J***R on October 30, 2007*

This is the story of the two survivors of an "accident." In the early `60s, the United States stashed away on a tiny Japanese island, with Japanese cooperation, of course, some deadly gas (Tezuka calls it "MW,"--hence the title)--we really did---but in Tezuka's manga some leaks out, killing all 800 inhabitants of the island. The survivors, Iwao Garai, 15, and Michio Yuki, 9, are protected from the gas because they are sheltered in a cave. When they come out the next morning, it is to an island of the dead: men, women, children, birds and beasts--every sentient being. The gekiga (a manga for adults, which MW is, in spades) tells us about the rest of their lives, (almost...) beginning 15 years later. We find out about the events on the island in flashbacks. What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him. Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody. There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock. The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."

### ⭐⭐⭐⭐⭐ Must read. Even if Manga/Graphic Novels aren't your thing this is a full fledge omnibus
*by K***A on January 22, 2020*

Big Book Like Many of Tezuka's genious. This may be, one of the greatest peices of literature with art of the era, I have read. Its long, deep and smart. It was written with a direction and its a trek to the end at glance (its an omnibus,most are big ie:Tomie) but the journey of the things you will see and read i. Chapter one alone will confuse you and disorent you. Some people might be sensitive to the material I'm not like that at all but its graphic, in a Mr. Magoo kind of way at times almost adding an element new readers to this kind of work will either hate or enjoy. Ito does very good realistic work, for reasons Osamu goes middle ground;less so in this than earlier work, Human Insect's. Came damaged to hell, i fixed it rebound it with PVA Ph and hard work. Took 45min, I have the hardcover in Japanese but this reviews for English ver. If anyone wants to know how to say the title. In Japan, it sounds like 'Moo' or "mu" I have heard said in New York.

### ⭐⭐⭐⭐ Slow going, Interesting plot about a very sordid character
*by Y***O on July 21, 2008*

I feel conflicted about Osamu Tezuka's MW. On one hand I enjoyed the intriguing plot and the way he was able to use the comic medium to display such horrific crimes. These acts would have been very difficult to display in any other medium. The story is also an interesting statement on the conventional expectation that in the end crime does not go unpunished. I think a lot of my negative reaction to the work was an agitation that the main character would get away with his many crimes which included rape and child murder. The story also acts as a critique of the US military presence in Japan and anxiety about chemical, nuclear weapons. These qualities made the story very slow going to read. The main active agent in the story is so repugnant that following his evil exploits becomes tiring rather quickly. Tezuka walks a fine line in the story between turning off a reader and keeping them interested in the plot. Ode to Kirihito had a more conventional plot and could be said to have a tied up in a more expected way but I enjoyed the story and although it had violence it wasn't near the level of MW. So I feel torn with the vote because I admire Tezuka for making such a strong statement with the piece but my enjoyment of it was not on the level of some of his other works. I would give it a 5 for the artwork and a 3 for plot so 4 is the average.

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*Product available on Desertcart Austria*
*Store origin: AT*
*Last updated: 2026-07-06*