The Prestige

Such a thrilling movie! Me and my husband both enjoyed it, and not to mention we’re both caught off guard by the ending!! I’m not a fan of scary movies, but this one was too good of a thriller.

I heard of "The Prestige" when it came out on DVD, but I didn't know too much about it. Saw some commercials for it here and there, but I wasn't sure if it was something that I had to see right away. It wasn't until I went to a store and saw that this was directed by none other than the brilliant Christopher Nolan (who directed my all-time favorite movie, "Memento"). That's all it took for me to buy the DVD without even really knowing what the movie was about. I didn't care. It had Nolan's name on it, and that's all I needed. I watched it the next day and couldn't believe how great this movie was. Not only that, but I ended up watching it again only a few hours after my first viewing.Unfortunately, there are so many twists and turns in this wild ride that I'll have to be brief in describing what it's about so I don't end up giving away something crucial (yeah, it's one of those where you give away one little thing, and it could possibly ruin the movie for the other person). As simplistic as I can put it the film concerns two magicians, Robert Angier and Alfred Borden. The two were quite the team and worked together splendidly until one night one of their well known tricks goes wrong and ends up costing Angier a loved one. He blames Borden for his loss and becomes obsessed with finding any means to out-show him, learn his secrets and destroy him.I know, this sounds like a typical "thriller," but that's really only a small outline of the movie. I had to keep it short and simple to avoid giving away too much. "The Prestige" works more as a drama/thriller/mystery. The entire theme of the movie is to "watch closely," and there's reason for that. You're not entirely sure what is going on until the very end, and even then you feel like you have to watch it again right away to verify what you've just witnessed. Nolan's great at playing head-games with you, and it's nice to see him dive intos that area of film again. Even though you're always trying to piece together what's going on, none of that takes away the enjoyment of watching these characters and how they interact in the environment around them. The look and feel of the film is very dark, but it looks so gorgeous.The performances from Hugh Jackman, Christian Bale and Michael Caine are perfect. Bale never ceases to amaze me in the roles he takes, as he commits himself a hundred percent every time. David Bowie even makes a small appearance in the film, and trust me when I say this, you do not see him as David Bowie on the screen. You buy into his character completely.It must be said, even though this is a PG-13 movie, it gets pretty disturbing and the overall tone of the movie is dark and cold. I wouldn't recommend it for children. The DVD doesn't offer a whole lot of features, which is a shame because I have the suspicion that they will re-release it in a "fully-loaded" edition later on (which I will have to go and buy)."The Prestige" is a total success, and then some. It's one of those movies that you have to watch more than once, and each time you see it (just like with "Memento"), chances are you're going to pick up on something that you didn't see the first time around. If you're looking for something different and unique, I strongly suggest giving this a try. It ranks up there as one of my top favorites of 2006. Nice to see that Christopher Nolan has made another fantastic movie and has proven that he's not just a one-trick pony. The movie may have a lot of twists and turns to keep you interested, but they never take away from the great story and characters.Are you watching closely? -Michael Crane

I liked the movie!!!!!

I've said it before, but I'll say it again. Christopher Nolan can do no wrong. Teaming up again with his Batman Begins cast of Christian Bale and Michael Caine, and joined with the Scoop team consisting of X-Men's Wolverinie Hugh Jackman and Scarlett Johansson, the stellar (eye candy) cast already set tongues wagging as to whether they'll be able to live up to the hype of Nolan's long awaited movie directly challenging the other picture about Victorian magicians, The Illusionist. The Prestige is the third act of any magic trick, with the first and second acts being the Pledge and the Turn. And this movie lives up to its namesake to a T. The way the movie plays out, it's like a huge magic trick, with the audience waiting to see how it unfolds, getting the suspicion on how it's done, but yet sitting through it thorough engaged to discover how everything will be revealed and resolved. It tells the story of how two magicians, fellow apprentices turned unfortunate rivals, plod down the slow path of jealous obsession, revenge, and the deliberate attempts to go at lengths to steal each other's ideas, to go one up against the other, a fight in romance, life and the long held passionate drive to discredit each other. There are perfect explanations of the value of secrets, and how secrets can sometimes be used as tools for deceit. What I thought was valuable in the movie was the reinforcement of the notion of how "magic" actually worked. Besides the better understanding of the common body of scientific knowledge, things like having pretty assistants to distract, and having planted staff amongst the audience, somehow made me a sceptic to tricks and illusions, and try harder to spot at which stage had things undergone a sleight of hand. More importantly, it introduced me to the notion and importance of a loyal engineer behind the scenes who designs elaborate contraptions solely for the magician's use, and how having disloyal staff can indeed be detrimental to any leaks of secrets. And Michael Caine took on this engineering role as Cutter, responsible for assisting Rupert Angier (Hugh Jackman) with loyalty and conviction that they could, as a team, beat Christian Bale's Alfred Borden. I thought the cast in general were superb, with Christian Bale leading the charge. Hugh Jackman too showed that he could play a dark character, as the two leads tackled their characters' theme of sacrifice, arrogance, and ultimately redemption, especially for Rupert Angier. I thought he did what he did towards the end was a kind of penance to what happened in the beginning, hoping to kill two birds with a single stone, to exact the sweetest revenge he could possibly muster. What also was intriguing about the two lead characters was that there is no right or wrong, no hero or villain. It's always a shade of grey in what they do, and for Alfred Borden, I felt it's more for survival and the provision for family, which is a strong subplot running through the film. I just have to mention though, that Scarlett Johansson being Esquire's Sexiest Woman Alive, gets to play a flower vase role here as a magician's assistant, though her role as the pawn between the rivals added a little gravitas. The atmosphere was set up great, and so were the costumes and sets. The soundtrack was hauntingly mesmerizing, capturing the look and mood appropriately. Look out too for David Bowie's appearance as a Serbian scientist! I was floored by the deftness of how Nolan weaved and juxtaposed the non linear narrative so flawlessly. While the usual techniques is to use placeholders, or flashback sequences, colours etc, here, time is so fluid, but yet the audience will know precisely which era they're in, without being explicitly told, or working too much of the noodle. You just know, and it's just that feeling of being totally transparent with time. Even though the movie clocked in at slightly more than 2 hours, you don't feel its length at all. At the end of the movie, one quote popped into mind: Misdirection - what the eyes see and the ears hear, the mind believes. Quite apt to describe how things work out during the movie, or to describe in general, Nolan 's films so far. That added richness to lift the movie to a superior plane. Do yourself a favour, if there's one movie you absolutely must watch this week, then Prestige must be your natural choice. It's smart in delivery and slick in presentation. There is none other. P.S. Is it just me, or are notebooks a common feature in Nolan's movies?

This, more than any other Nolan film to date, is his masterclass in cinematic storytelling. It marries a virtually perfect script with a technically brilliant production and fills the space with performances that exceed the sum of their parts. Not one frame is wasted, one line misread, one thread left unpulled. An absolute triumph.

In the movie, The Prestige, directed by Christopher Nolan, the audience is introduced to two rival illusionists, Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman), each fighting to be the best in the business with the best performed and planned out illusions. The movie follows both men in their quest to becoming a brand name spoken by many while also sabotaging each other when given the opportunity. Both men are obsessed with being on top no matter the cost, ignoring the danger signs and consequences that come with living the life they do, ending to each man's own demise.Both illusionists are first seen working together as part of a crew of illusionists, the rivalry only truly starting after the loss a loved one of Angier, Julia McCullough (Piper Perabo). Throughout the rest of the movie, the conflict between Borden and Angier continues and is brilliantly portrayed by Bale and Jackman, each man bringing life and depth to their characters. The characters Angier and Borden share similar qualities such as obsessiveness and dedication when it comes to illusions, possibly the root of their dislike for each other, neither willing to face the flaws mirrored in the other. These qualities lead each man to destroy their relationships with those around them such as Borden’s wife, Sarah Borden (Rebecca Hall), the men’s shared love interest. Olivia Wenscombe (Scarlett Johansson), and finally Angier’s good friend Henry Cutter (Michael Caine).The story is told in a series of flashbacks, loopholes, and plot twists that can leave the viewer thoroughly confused if they were to not pay attention and miss any crucial details. This structure stays true to Nolan’s style of leaving the viewer’s interest piqued as well as always questioning what’s right in front of them, keeping them invested long after the movie is over. The flashbacks give insight into both men’s point of view as they grow in skill and in obsession over defeating the other. This layers the scenes, creating a story within a story effect, similar to the themes found in another of Nolan’s movies, Inception.The shots taken and lighting used to present the story only further add to the tones of mystery and intrigue that travels along with all Nolan directed films. The scenes are darker, with dull tones and drowned out colors to better represent dramatic storyline and emotional damage that follows both men. The scenes show just enough to keep the viewer wanting and looking for more clues to help figure out the secrets being kept by the characters, to better understand them even.Every piece of the puzzle creates a simply tasteful and complex story between two men plagued by an obsession to be the greatest, blinding each to the other important things in life. Overall, The Prestige is definitely a must watch movie for those that are ready to question everything and be taken along for the ride that is the lives both Borden and Angier.

Good Movie

Christopher Nolan is a director that I have trouble grappling with. I always seem to enjoy his movies in the moment, but upon reflection, his films always seem to lose their praise. This was true for "Interstellar", "The Dark Knight Rises", "Inception", and even "The Dark knight". I'm beginning to think that Nolan is actually just fooling everyone. He delivers so well on the emotion of the experience and the overall story, that audiences seem to overlook the plot holes, the technical sloppiness, and the silliness of his films. "Inception" is a prime example of a movie that seems really good on the surface, but when you think about how much of that film actually makes honest-to-goodness sense, you come up short. Of course, I still really like "Inception", but I would never use that film as an example to say Nolan is a master director; which many people seem to think.So I went through his filmography, trying to find a film that would help me put Nolan into perspective. I stayed away from "Momento", because we all know that it's a classic of high quality, and would not give me much insight into the Nolan of today. And then I found it, "the Prestige". A movie few people saw. bit was critically well received (even by me when I saw it back in 2006). Upon a rewatch, "the Prestige" is a phenomenal movie. From the characters, to the twists, to the unique premise, and most of all to the subtext, "The Prestige" is firing on all cylinders. I think it may be Nolan's best movie outside of "Momento". In fact, upon deep inspection, I couldn't really find any flaws. Obviously the ending requires a suspension of disbelief, but the movie earned that request of me.Going back to "The Prestige" finally helped me see why Nolan is a great director. It isn't his technique or attention to detail. It's his ambition. Nolan is probably the most ambitious director working today. With films like "Inception" and "Interstellar", his ambition exceeds his ability; which is why I can poke so many holes in them. However, the ambition of those films deserves admiration and compassion. The fact that Nolan is trying to give you something that no other director is brave enough to attempt, is sufficient grounds to be lenient in your review of his films.So though I don't think Nolan is a master at the craft of directing, I think he deserves a place amongst the greats as a visionary.

5 étoiles pour film ,merci NOLAN,et 1 jour pour arriver chez moi!!! (en prime et dépendant de la commande)

Le Prestige (The Prestige) est un super thriller de Nolan, très bien joué et avec un twist mémorable. À noter pour l’édition : bien que ce ne soit pas indiqué derrière la pochette, la piste audio française est (Doublé au Québec).Je recommande.

Un thriller fascinant, construit comme un véritable tour de magie. Chaque scène apporte une pièce du puzzle, et l’on reste accroché jusqu’à la dernière seconde. L’ambiance est sombre, élégante, et les thèmes de l’obsession et du sacrifice sont traités avec une grande finesse. Un film qui continue de trotter dans la tête longtemps après le générique.

100 % OK Goede verzending van besteld item beantwoorde volledig aan de beschrijvingvan de verkoper ( uiterst tevreden ):-):-):-)

Dieser Film ist in meinen Augen Christopher Nolans Meisterwerk. Der Mann, der sich zuletzt meiner Meinung nach etwas in seinem Zeit-Fetisch verrannt hat, liefert hier ein audiovisuelles sowie erzählerisches Schmankerl erster Klasse ab. Der Film spielt im späten 19. Jahrhundert und handelt von den beiden Illusionisten Angier (Jackman) und Borden (Bale) die beide bei einem weiteren "Magier" arbeiten. Doch die Männer streben nach höherem. Bei einem riskanten Entfesselungstrick ertinkt Angiers Freundin, und dieser gibt Borden die Schuld, welcher den Knoten an den Händen der Dame gebunden hatte. Der behauptet jedoch, sich einfach nicht entsinnen zu können, welchen Knoten genau er gebunden hat. Es entsteht eine regelrechte Feindschaft zwischen den beiden, als die Männer ihre jeweils eigene Karriere starten. Es entspinnt sich eine fesselnde Geschichte um Hass, Selbstaufgabe, Intrigen und Illusionen die so dermaßen gut inszeniert ist, und mit bestimmten Erwartungen spielt. Hier gibt es auch keinen wirklich guten oder bösen Charakter, nur Menschen, getrieben von ihrer Vision, und dabei gehen beinahe alle über moralische Grenzen hinaus.Mit dabei sind famose Schauspieler wie Michael Caine, Andy Serkis sowie David Bowie und Scarlett Johansson. Nichts wirkt hier gestreckt, deplatziert oder gewollt, alles passt. Bestimmte Sachverhalte, oder zumindest Hinweise darauf, sind für den aufmerksamen Zuschauer auch schon vorher erkennbar (ein Beispiel wäre die Figur des Bernard Fallon) doch das ganze Geschehens entfaltet sich erst kurz vor Ende des Filmes. Wer auf spannende Thriller mit einer kleinen Prise fantastischem Einschlag steht und absolut präzise Inszenierung a la Nolan anno 2006 mag, ist mit diesem Film perfekt beraten.Im eigenen Sinn empfehle ich als Fan selbstredend die deutsche Synchronisation, die absolut großartig gelungen ist.Dieser Film ist zu gut, um als Geheimtipp zu gelten, doch andererseits erschafft er gerade daraus seinen Mythos. Sehen Sie ihn sich an, aber schauen Sie auch genau hin!