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The classic original Beatles studio albums have been re-mastered by a dedicated team of engineers at Abbey Road Studios in London over a four year period utilising state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity the Beatles catalogue has seen since its original release. Within each CD's new packaging, booklets include detailed historical notes along with informative recording notes. For a limited period, each CD will also be embedded with a brief documentary film about the album. The newly produced mini-documentaries on the making of each album, directed by Bob Smeaton, are included as QuickTime files on each album. The documentaries contain archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Review: One of the great albums of all time - This album was released before "Let It Be," but produced after it. As such, it is the last music the Beatles ever created, and a fitting capstone to their incomparable career. As with my other album reviews I will rate each song on a scale of 5 stars, with 5 representing a classic or timeless piece, 4 a great song, 3 a craftsman-like work, 2 a pedestrian affair, and 1 a throw away. Come Together -- 5 stars - This is one of John Lennon's great nonsense lyrics, but what raises it to the heights is the presentation, a sound that is instantly recognizable and unlike any other song you have ever heard. Thus, it is ironic that Lennon was accused of plagiarizing a Chuck Berry song. The truth is that he borrowed one phrase as homage to Berry (here comes old flat top), and nothing more. The rest is original and unique. The execution of the song, from McCartney's bass to Ringo's drums, shows the power of the Beatles' ensemble to produce work that was greater than the sum of their individual contributions. Something -- 5 stars - After trashing the Beatles in their early days Frank Sinatra later came to nominate this piece as his favorite love song. Sadly, he credited it to Lennon and McCartney when it is actually a Harrison composition. It is probably the best song on the album - a work of elegance, passion, and captivating musicality. It will live forever. Maxwell's Silver Hammer -- 4 stars - This is one of Paul's "cartoon" songs. It seduces you to smile and sing along with its bizarrely cheerful dark humor, and thus wins 4 stars in spite of its meager ambitions. Oh! Darling -- 4 stars - McCartney bares his heart by scorching his throat with a passionate, guttural performance. As usual you will want to sing along, but try to compete with Paul and you may pay a visit to the throat doctor. Octopus's Garden -- 4 stars - Another "cartoon" song, this one written by Ringo. Yes, it's silly and slight, but I dare you not to sing along (and that's my mark of a 4 star song). I Want You (She's So Heavy) -- 4 stars - The subtitle says it all - this song has a very heavy ambiance. Lennon displays his gift for combining simple components to create a work that lingers in the mind much longer than you expect. Here Comes the Sun -- 5 stars - This is another Harrison work and another song that will live forever. It matches tone to theme as well as any song you will ever hear. It is a work of simple genius. Are you feeling down? Then play this song and feel your mood lift like the rising sun. Because -- 4 stars - As I understand it John Lennon heard Yoko Ono play Beethoven's Moonlight Sonata backwards and John made this song out of it. It is, quite simply, beautiful. You Never Give Me Your Money -- 4 stars - This would be a minor work except for its semi-biographical echoes of the Beatles' rise and fall. Because of this it has a special poignancy to it. And once again, it will compel you to sing along. "The Final Medley": Sun King, Mean Mr. Mustard, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End -- 5 stars - These seven songlets represent the last stretch of music on the last record the Beatles ever produced. They are joined together in a seamless whole, a mini pop opera, and so I have titled the group "The Final Medley" and treat them as one composition. Taken together they are, to re-use a phrase, greater than the sum of their parts. In fact, though I hesitate to admit it, I enjoy listening to these songlets more than anything else the Beatles ever did. And so I rate them 5 stars as a group. The details . . . "Sun King" provides a nice, slow intro. "Mean Mr. Mustard" is an edgy but humorous Lennon character study. "Polythene Pam" is Lennon again. It is a hard driving piece that seems to anticipate both heavy metal and punk. It is also the one piece here that cries out for a longer treatment. "She Came in Through The Bathroom Window" is McCartney. It is probably the slightest component here and foreshadows Pauls' work with Wings, but it fits and adds to the whole. "Golden Slumbers" is Paul again. It is heartbreakingly beautiful. "Carry That Weight" is a rousing chorus of the entire group, and seems to speak of the burden that attaches to the blessing of being a Beatle (you're going to carry that weight for a long time boys, and so they did, and do, and will - those who still live). The End is the end and contains the verse "and in the end the love you take is equal to the love you make." It is a fitting conclusion for a group that made so much love through their music that they earned the love of the whole world. Her Majesty -- ??? stars - it is characteristic of the Beatles that they could not leave off without adding a humorous note, and this irreverent fragment of a love song to the English Queen starts playing after you think the record has finished. The Beatles were not only great composers and musicians, they were also very funny. And so we have 4 five-star songs out of 10, joined by 6 four-star songs. This is truly one of the greatest albums ever made. Review: "THE MEMORIES OF THAT FIRST SESSION ARE STILL VIVID." PAUL MCCARTNEY. - "The Beatles recording journey had gone through many twists and turns, learning curves and thrilling rides. Here we were--still wondering at the magic of it all." Paul McCartney. This is another worthwhile anniversary release of a classic Beatles album. The packaging is similar to the "Sgt. Pepper's" and the "White Album" anniversary releases. The thick, glossy slipcase (with complete track list on the back cover) holds an equally thick hardcover book. The front and back inside covers each hold two discs, which are inside glossy cardboard jackets with a track list on the back covers. The book (with sewn in binding) has a Forward by Paul McCartney, an Introduction by Giles Martin, plus chapters by Beatles historian Ken Howlett--"The Route To Abbey Road", "Track By Track", "The Cover", and "The Arrival Of Abbey Road". David Hepworth has a chapter titled "And In The End". The track by track text (which includes info on the "Sessions" tracks) is usually two pages for each song and is both interesting and informative. Also included are many rare photos from the sessions (including Linda McCartney's photographs), plus repros of handwritten lyrics, recording data sheets, and tape boxes--everything adding to the feel of that time period. The presentation is up to high standards for such an important album as this. The music. Besides the 2019 mix of the original album, the session tracks too have good sound. If you're familiar with the last reissue of this album, the sound isn't to far from that version to my ears--everything seems to be in the right place in the mix. The 23 outtakes sound every bit as good as the album. The Blue-Ray disc is well worth having--the quality--in Dolby Atmos 5.1 master audio and High Resolution Stereo Mix--is a good addition to this set. Disc 1 is the original album which is familiar to most all of us so no real comment is needed. Discs 2 and 3 have the outtakes, and this is where the fun begins. The tracks are in chronological order which is a good thing--no guessing about the recording sequence. There's some studio chat from the group and they sound like they're having a good time in the studio--joking around a bit. Several of the outtakes are close to the finished songs in feel as we know them. But there's also some goodies that make these sessions worth hearing. A few things I like: Included are takes of "I Want You (She's So Heavy)", "Something" (with a different feel from the tune we know), "Old Brown Shoe", "Here Comes The Sun" (also with a different feel from the album track), "Come Together", "Sun King", plus a demo of "Come And Get It" (made famous by that great band Badfinger), and three instrumental tracks--which give insight into how the music came together. Also give a listen to "The Long One" which includes eight shorter songs heard on the album, which gives some perspective on the finished album. But there's other good things included and everyone will have their own favorites--to each his own. I have to say for me that this album has always been near the top of Beatles albums. It's the one I find myself reaching for unless I need a dose of early Beatles. The outtakes plus a really nice book with informative essays and rare photos makes this another good addition alongside the previous anniversary sets--even at ninety bucks or so--which seems a bit high. But when you slip the book out of its slipcase and see the quality, and when you hear the all the music, the price tag slips back into your head. This is a worthwhile purchase for "Abbey Road" and/ or Beatles fans in general. And for "Abbey Road" fans, check out Bruce Spizer's latest book about "Abbey Road". It's similar to his other books on the "Sgt. Pepper's" and the "White Album" releases.
| ASIN | B0025KVLUQ |
| Best Sellers Rank | #58,046 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #1,660 in Pop Oldies #28,017 in Rock (CDs & Vinyl) |
| Customer Reviews | 4.8 4.8 out of 5 stars (32,519) |
| Date First Available | April 8, 2009 |
| Is Discontinued By Manufacturer | No |
| Item model number | 5317024 |
| Label | Capitol |
| Language | English |
| Manufacturer | Capitol |
| Number of discs | 1 |
| Product Dimensions | 5.55 x 4.96 x 0.31 inches; 2.82 ounces |
P**S
One of the great albums of all time
This album was released before "Let It Be," but produced after it. As such, it is the last music the Beatles ever created, and a fitting capstone to their incomparable career. As with my other album reviews I will rate each song on a scale of 5 stars, with 5 representing a classic or timeless piece, 4 a great song, 3 a craftsman-like work, 2 a pedestrian affair, and 1 a throw away. Come Together -- 5 stars - This is one of John Lennon's great nonsense lyrics, but what raises it to the heights is the presentation, a sound that is instantly recognizable and unlike any other song you have ever heard. Thus, it is ironic that Lennon was accused of plagiarizing a Chuck Berry song. The truth is that he borrowed one phrase as homage to Berry (here comes old flat top), and nothing more. The rest is original and unique. The execution of the song, from McCartney's bass to Ringo's drums, shows the power of the Beatles' ensemble to produce work that was greater than the sum of their individual contributions. Something -- 5 stars - After trashing the Beatles in their early days Frank Sinatra later came to nominate this piece as his favorite love song. Sadly, he credited it to Lennon and McCartney when it is actually a Harrison composition. It is probably the best song on the album - a work of elegance, passion, and captivating musicality. It will live forever. Maxwell's Silver Hammer -- 4 stars - This is one of Paul's "cartoon" songs. It seduces you to smile and sing along with its bizarrely cheerful dark humor, and thus wins 4 stars in spite of its meager ambitions. Oh! Darling -- 4 stars - McCartney bares his heart by scorching his throat with a passionate, guttural performance. As usual you will want to sing along, but try to compete with Paul and you may pay a visit to the throat doctor. Octopus's Garden -- 4 stars - Another "cartoon" song, this one written by Ringo. Yes, it's silly and slight, but I dare you not to sing along (and that's my mark of a 4 star song). I Want You (She's So Heavy) -- 4 stars - The subtitle says it all - this song has a very heavy ambiance. Lennon displays his gift for combining simple components to create a work that lingers in the mind much longer than you expect. Here Comes the Sun -- 5 stars - This is another Harrison work and another song that will live forever. It matches tone to theme as well as any song you will ever hear. It is a work of simple genius. Are you feeling down? Then play this song and feel your mood lift like the rising sun. Because -- 4 stars - As I understand it John Lennon heard Yoko Ono play Beethoven's Moonlight Sonata backwards and John made this song out of it. It is, quite simply, beautiful. You Never Give Me Your Money -- 4 stars - This would be a minor work except for its semi-biographical echoes of the Beatles' rise and fall. Because of this it has a special poignancy to it. And once again, it will compel you to sing along. "The Final Medley": Sun King, Mean Mr. Mustard, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End -- 5 stars - These seven songlets represent the last stretch of music on the last record the Beatles ever produced. They are joined together in a seamless whole, a mini pop opera, and so I have titled the group "The Final Medley" and treat them as one composition. Taken together they are, to re-use a phrase, greater than the sum of their parts. In fact, though I hesitate to admit it, I enjoy listening to these songlets more than anything else the Beatles ever did. And so I rate them 5 stars as a group. The details . . . "Sun King" provides a nice, slow intro. "Mean Mr. Mustard" is an edgy but humorous Lennon character study. "Polythene Pam" is Lennon again. It is a hard driving piece that seems to anticipate both heavy metal and punk. It is also the one piece here that cries out for a longer treatment. "She Came in Through The Bathroom Window" is McCartney. It is probably the slightest component here and foreshadows Pauls' work with Wings, but it fits and adds to the whole. "Golden Slumbers" is Paul again. It is heartbreakingly beautiful. "Carry That Weight" is a rousing chorus of the entire group, and seems to speak of the burden that attaches to the blessing of being a Beatle (you're going to carry that weight for a long time boys, and so they did, and do, and will - those who still live). The End is the end and contains the verse "and in the end the love you take is equal to the love you make." It is a fitting conclusion for a group that made so much love through their music that they earned the love of the whole world. Her Majesty -- ??? stars - it is characteristic of the Beatles that they could not leave off without adding a humorous note, and this irreverent fragment of a love song to the English Queen starts playing after you think the record has finished. The Beatles were not only great composers and musicians, they were also very funny. And so we have 4 five-star songs out of 10, joined by 6 four-star songs. This is truly one of the greatest albums ever made.
S**N
"THE MEMORIES OF THAT FIRST SESSION ARE STILL VIVID." PAUL MCCARTNEY.
"The Beatles recording journey had gone through many twists and turns, learning curves and thrilling rides. Here we were--still wondering at the magic of it all." Paul McCartney. This is another worthwhile anniversary release of a classic Beatles album. The packaging is similar to the "Sgt. Pepper's" and the "White Album" anniversary releases. The thick, glossy slipcase (with complete track list on the back cover) holds an equally thick hardcover book. The front and back inside covers each hold two discs, which are inside glossy cardboard jackets with a track list on the back covers. The book (with sewn in binding) has a Forward by Paul McCartney, an Introduction by Giles Martin, plus chapters by Beatles historian Ken Howlett--"The Route To Abbey Road", "Track By Track", "The Cover", and "The Arrival Of Abbey Road". David Hepworth has a chapter titled "And In The End". The track by track text (which includes info on the "Sessions" tracks) is usually two pages for each song and is both interesting and informative. Also included are many rare photos from the sessions (including Linda McCartney's photographs), plus repros of handwritten lyrics, recording data sheets, and tape boxes--everything adding to the feel of that time period. The presentation is up to high standards for such an important album as this. The music. Besides the 2019 mix of the original album, the session tracks too have good sound. If you're familiar with the last reissue of this album, the sound isn't to far from that version to my ears--everything seems to be in the right place in the mix. The 23 outtakes sound every bit as good as the album. The Blue-Ray disc is well worth having--the quality--in Dolby Atmos 5.1 master audio and High Resolution Stereo Mix--is a good addition to this set. Disc 1 is the original album which is familiar to most all of us so no real comment is needed. Discs 2 and 3 have the outtakes, and this is where the fun begins. The tracks are in chronological order which is a good thing--no guessing about the recording sequence. There's some studio chat from the group and they sound like they're having a good time in the studio--joking around a bit. Several of the outtakes are close to the finished songs in feel as we know them. But there's also some goodies that make these sessions worth hearing. A few things I like: Included are takes of "I Want You (She's So Heavy)", "Something" (with a different feel from the tune we know), "Old Brown Shoe", "Here Comes The Sun" (also with a different feel from the album track), "Come Together", "Sun King", plus a demo of "Come And Get It" (made famous by that great band Badfinger), and three instrumental tracks--which give insight into how the music came together. Also give a listen to "The Long One" which includes eight shorter songs heard on the album, which gives some perspective on the finished album. But there's other good things included and everyone will have their own favorites--to each his own. I have to say for me that this album has always been near the top of Beatles albums. It's the one I find myself reaching for unless I need a dose of early Beatles. The outtakes plus a really nice book with informative essays and rare photos makes this another good addition alongside the previous anniversary sets--even at ninety bucks or so--which seems a bit high. But when you slip the book out of its slipcase and see the quality, and when you hear the all the music, the price tag slips back into your head. This is a worthwhile purchase for "Abbey Road" and/ or Beatles fans in general. And for "Abbey Road" fans, check out Bruce Spizer's latest book about "Abbey Road". It's similar to his other books on the "Sgt. Pepper's" and the "White Album" releases.
I**N
Abbey Road, the iconic masterpiece from The Beatles, has been etched into the annals of music history since its original release in 1969. Now, half a century later, the 50th Anniversary Edition on vinyl breathes new life into this timeless classic, delivering an unparalleled sonic experience that transcends the boundaries of time. From the moment the needle touches the grooves of the vinyl, it's evident that this edition has been crafted with meticulous care. The warmth and richness of the analog sound transport the listener to the hallowed grounds of Abbey Road Studios, where the Fab Four once walked in musical unison. The vinyl medium, with its inherent warmth and depth, adds an extra layer of authenticity to the experience, capturing the true essence of the recording era. What sets this anniversary edition apart is the meticulous remastering process undertaken by Giles Martin, son of the legendary George Martin, who was the original producer of Abbey Road. Giles' commitment to preserving the integrity of the original recordings while enhancing the overall audio fidelity is nothing short of remarkable. The result is a sonic tapestry that reveals nuances and subtleties previously unheard, allowing listeners to rediscover the album with fresh ears. The packaging itself is a work of art, paying homage to the iconic cover art while incorporating new elements that commemorate the album's enduring legacy. The attention to detail extends beyond the sound quality, with the vinyl housed in a sturdy, high-quality sleeve that ensures the physical embodiment of Abbey Road matches the sonic excellence within. Abbey Road's 50th Anniversary Edition on vinyl is not merely a reissue; it's a celebration of musical brilliance and cultural significance. Whether you're a seasoned Beatles aficionado or a newcomer exploring the magic of Abbey Road for the first time, this edition serves as a gateway to an era when music was crafted with passion, innovation, and an unwavering commitment to artistry. In conclusion, Abbey Road's 50th Anniversary Edition on vinyl is a must-have for any serious collector or music enthusiast. It not only pays homage to one of the greatest albums of all time but elevates the listening experience to new heights, reminding us all why The Beatles continue to be an enduring force in the realm of popular music.
J**O
R**D
Album des scarabés: Indispensable dans toute discothèque "babyboum" perso; version vinyle et pochette incontournable!!
R**S
Nice!
J**I
I bought it as a gift and it came out to be the best thing ever. Really good quality and a very uniqe present for those who like the beatles.
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