In Patagonia (Penguin Classics)

One of the greatest travel books of all time. While not specifically a 'Rick Steves' guide to Patagonia, it is more like "On the Road." Meant to be a very personal account of his travels, and his knowledge of this strange part of the world. It has been proven since it's publication to be full of fictional or not properly recreated stories, but regardless, you will never forget this book. Still a classic after nearly forty years. Chatwin's writing is almost dreamlike at times, and others, when he slides back into a story of Darwin, or rounding the Cape in a square rigger a hundred years before, is incredible. If you are a writer or wanting to be one, you could do worse than read this book simply for the astonishingly beautiful passages. It is on my bookshelf next to Herodotus and the diaries of Marco Polo.

Currently reading, and I had to go ahead and review it. I've only heard of Patagonia before delving into this book. I love Chatwin's descriptions of the land and the people of this forgotten South American area. Part travelogue, part history, this book really takes you to the desolation of the land where you meet Welsh, a Russian double amputee nurse and learn the history of Butch Cassidy and the Sundance Kid during their time in Patagonia. I'm really enjoying this book and love the adventure.

Befitting of a genius with an active and wide-ranging mind, Bruce Chatwin has a charm and intensity that might lead you to believe he has attention deficit disorder. Drifting from one narrative thread to the next between chapters (each just a few pages long), he delves deep into the story of each person he meets, and substantiates these stories with literary and/or historical references. Though a few themes recur (e.g., the search for the lost mylodon and the story of Butch Cassidy's escape to Argentina), this is a book that is easy to put down between fragmented sections. And yet, it is still overall an enjoyable work. Travelers are far more likely to go to Patagonia to avoid people than to learn about them, but Chatwin gracefully pulls of this challenge. Selflessly, he leaves himself out of the story- though Nicholas Shakespeare's introduction notes that Chatwin had a noteable love affair and was arrested in Chile. Unfortunately, Chatwin's narrative is short on dialogue and his description of people is typically terse and short on details, which prevents characters from coming to life. However, Chatwin shows traces of poetic brilliance ("music ghosted from the piano as leaves over a headstone"), an eye for metaphor (noting that in the obscure Yaghan language the word for depression is the same as the word for a crab's vulnerable phase after sloughing off a shell), persistence (evidenced by his uncovering of the origin of the name Patagonia), and bits of dry humor ("The Indian settlements were strung out along the railway line on the principle that a drunk could always get home.").

When Bruce Chatwin’s classic and offbeat travel narrative “In Patagonia” first appeared in 1977, many readers didn’t know what to think of it. Its publication coincided with my sophomore year at seminary and—boggled down with theological tomes and a recently acquired fondness for the works of John D. MacDonald--I missed the event altogether. It was to be forty years before one of my children (they are all avid readers, God bless ‘em!) brought the book to my attention. Chatwin had been working with the (London) Sunday Times Magazine when an interview with the elderly architect Eileen Gray inspired him to see the varied and desolate area that lies at the southernmost tip of South America. The rumor (not exactly true) is that Chatwin left a note for his employer that read simply, “Have gone to Patagonia.” Gone to Patagonia! How often have we on a day-dreamy kind of afternoon wanted to make the same journey? Patagonia is a region whose struggles and eccentricities are richly woven into the historical fabric of the South American continent. In modern times, Patagonia has been the refuge of scoundrels, outlaws, misfits of all kinds and individuals orphaned by time or by fate. Nicholas Shakespeare’s introduction to the book is excellent and the book itself is one you will never forget. I read it this time for pleasure but will read it again someday to unravel some of its mysteries. There are too many names and dates and places to absorb on a first encounter with “In Patagonia.” If you haven’t read it—do yourself a favor. Put aside that book that is boring you and read about this place called Patagonia which lies at the very ends of the Earth. Reminiscent of Jack Kerouac’s “On the Road” and William Least-Heat Moon’s “Blue Highways,” Chatwin’s “In Patagonia” will grip you and never let you go.

Please don't make the mistake of treating it as a travel book. The prose is radiant and profound. The sweep is wide yet not desolate like Patagonia, in the physical sense. Those who go by reviews as this being one of the most important travel books of 20th century might feel let down but when you come to compare it with anything else, you would still rate it high. Some passages can become chore but given the propensity of the author, may his soul be blessed, these are minor aberrations. You would enjoy it.

Extraordinary account of the Bruce Chatwin's travels through the Patagonian steppe to Tierra del Fuego. Infused with historical stories that provide a backdrop for the lands he visits, the story here is remarkable. An artifact belonging to his family provides the gravity that pulls him to the southern reaches of South America. He realizes from the beginning the artifact is likely apocryphal, but that becomes an essential element to the story as it lends a fantastical air to the voyage, as if he's visiting some storybook land. You have to remind yourself as you're reading this that it is a very real, but very exotic, place. During the course of reading this, it struck me that Chatwin spends little time describing the physical surroundings, which is odd considering this is known to be a region of breathtaking, albeit stark, beauty. When contrasted with his careful depictions of the people, it dawned on me the essence of Patagonia that he conveys here is the hardscrabble people who have come here looking for a better life and found backbreaking toil and harsh conditions. A couple of generations of that produces a distinctive populace and you then realize, for all it's beauty, Patagonia is less a place than a mentality. Fiercely independent, weathered and cragged could be used interchangeably to describe the place or the people.

While there were many interesting anecdotes, facts and snapshots of Patagonia and Patagonians, I found the book too disjointed a collection of impressions. It had little or no literary or dramatic strength for me. I recognized intellectually that it fit the genre of the authors' physical and psychological journey into self-discovery and coming to terms with his past, but this theme was mostly lost among the many details and detours of the narrative. I'm glad I read it, but do not have much enthusiasm for it.

Great reading for anyone interested in Patagonia’s history and culture. The people described as the European inhabitants of this place belong to a world of magic realism seeking it through the eyes of Bruce Chatman.

Book delivered in excellent condition (new). Back cover promised a lot - the book itself was a massive disappointment. I feel the author didn't have much to say, so countless pages are devoted to telling stories of things that happened in Patagonia - things he did not witness, of which he was no part of... every now and then he starts rambling about Butch Cassidy, or about some strike, or about someone somewhere on a boat... He also appears to jump from one place to another - magically showing up in places hundreds of kms away from each other. He seems to show up at people's houses - but how? Did they know each other? Was there a reference? Was he there for a purpose? I struggled getting through this book. I would not go as far as saying "don't read it!", but I warn you: be prepared for 200 pages of boredom!

自分は紀行文芸にあまり詳しくありませんが、日本語版を読んでこれも読みたくなり購入しましたが、いやあ、愉快でおもろい。すらすら読めました。 残念ながらチャトウィンは短命でした。純粋におもしろい文芸作品をいっぱい書いてくれたので…いや、それでも長生きして欲しかったですね。 「明日に向かって撃て！」「ワイルドバンチ」…そういう時代は過ぎましたが、夢見るイングランドのチャトウィンはやっぱりこういうアウトロー映画にも惹かれるのですね。 そういえば、ウルトラヴァイオレンス炸裂の『〜バンチ』はイギリスでもフランスでも崇拝されています。（ウォーレン・オーツのインタヴューより）まあ、優れた映画や文芸は国境を越えて楽しまれるべきだと思います。

One of its kind in its genre !!

I really should have read, and meant to read, this book years ago. Chatwin is regularly listed among the top 10 travel writers along with my favourites Eric Newby, Paul Theroux, Colin Thubron and Bill Bryson. I would add the great Chilean writer Luis Sepúlveda, in particular "Patagonia Express". Patagonia is one of the most beautiful places on the planet and one of the most remote. Chatwin describes the heart wrenching scale of the landscape and the lost specks of astonishing human endeavour in this vast, lonely region. Above all, he entrances us with an astonishing and haphazard cast of eccentric, wild, bad and downright crazy people that such an unforgiving land has attracted from all over the world. He reminds us, without preaching, that huge estates were built on the exploitation of the poor - the local indigenous and those shipped in from the Chilean islands of Chiloé. Don’t hesitate, this book will make your life richer. Like all the best books it is unputdownable and will live in your psyche long after you have read the last page.

It’s a book. When you open the book, there are words you can read, and if you like the story, it’s a satisfying experience. Pages turn with ease using only your fingertips! Easy to hold with one hand so you have the other hand free to hold a beverage appropriate for the time of day, or even a cigarette if you are holidays or your mum can’t see you! Fits perfectly on a bookshelf when not in use, and can also be stored in a backpack, glovebox or tabletop! Not a great option for blind people or animals that can’t understand the English language. Can become a little hard to follow if not read in sequential order, starting from page 1.