Harrow the Ninth (The Locked Tomb Series Book 2)

I absolutely loved Gideon the Ninth, Tamsyn Muir’s “lesbian necromancers in a gothic mansion in space” story told from the perspective of a jock whose interest in the plot around her couldn’t have been less, and whose main concern was fitting with the cute women around her. Gideon had a wild story, one that involved an ancient puzzle, some horrifying uses of necromancy (lots of bones involves), a bit of an Agatha Christie murder mystery, and a climax that tied together a lot of the emotional beats that lays so quietly and subtly under the story. Now comes Harrow the Ninth, the second entry in a planned trilogy, which switches narration from the jock warrior Gideon to the young, crafty necromancer Harrow, who’s still reeling from the events of Gideon, and finds herself in a whole new hostile environment and trying to figure out her place in a whole new hierarchy. What unfolds from there gets…well, it gets complicated. Very, very complicated. And that’s without mentioning the alternating chapters that find Harrow remembering the story of Gideon the Ninth…except that Gideon’s not there, the characters aren’t quite the same, and the plot keeps diverging from our memories. Harrow the Ninth is undeniably dense and complicated, even without the weird questions of memory that those chapters bring up; add to that the shift from Gideon’s careless, simple narration to Harrow’s careful, secretive perspective, and you have a book that feels exponentially more challenging than the original. That goes for the plot as well; while Gideon had the hook of this strange gothic murder mystery, Harrow has all the scheming of Game of Thrones as people jockey for the favor of God (whose name might be John?), prepare for an apocalyptic threat, and bully Harrow and another newcomer into showing the powers that they need to display very quickly - oh, and no one (and I mean no one) is being honest about their motivations or even their actions. All of that can make Harrow the Ninth a bit less “fun” to read than Gideon, but it doesn’t make it any less enjoyable, stunningly imaginative, richly characterized, or compelling and gripping. If nothing else, Harrow kicks off the mystery early with this alternate version of the events of Gideon, but it won’t take long until you’re just as immersed into this weird relationship with God, the people around him, or the story of the one man who keeps trying to murder her in increasingly horrifying ways. Muir’s imagination is allowed even more free reign in Harrow than in Gideon; while the first book allowed us to see a truly wild version of necromancy and horrifying magic, Harrow takes it even further, creating spectral horrors, alternate dimensions of death, magic of wholly unexpected schools, and a whole lot of violence, all while developing her universe far beyond the limits of Gideon’s limited interest. In some ways, Harrow definitely feels like the middle book of a trilogy; while it’s entirely self-contained, you can definitely feel the threads being placed for what’s to come, and the end of the book sets up a third book that should just be a delight. But that doesn’t detract from any of the pleasures of Harrow the Ninth, whose writing is so good that the simple shift from second-person to first-person made me sit up straighter and gasp a little bit. Gideon is a blast, but Harrow might just be better for its complexity and ambition, and it’s all the better because Muir more or less nails it, taking on some astonishing difficulty curves and sticking the landing perfectly. What a joy this book is; here’s hoping that book three comes soon.

Harrow was probably my least favorite character in Gideon the Ninth. So, I worried about a book solely based on a character who mostly acted like the foil for Gideon, but once wrapped my head around what the book was I liked it quite a bit. First the parts that might bug people. The books feel wildly different. The first book was basically a murder mystery book with space wizards. This book is a mystery, but more like Memento. A good story is made up of a main character who needs to go through some sort of personal transformation. The journey there is just how they navigate and address the things that help or hinder them. So, most of the world around the main character is more 2 dimensional. Like Memento you are drip fed things in portions of portions, but in Memento the main character is actively playing a part because he's trying to get to a known goal and the memory loss itself is a supporting character of sorts that he has to address. In doing so he goes through that transformation. Harrow is the exact opposite. She basically already went through the transformational journey, and spends most of the book being passively pulled back to that state with bits of the plan she already made being explained in the moment they are needed. What's even weirder is that it's not like her transformation comes through struggle. It's more like a child who is a blank slate growing into their personality, but one that is already predetermined. Needless to say, the book can feel very disjointed and like a novella that got stretched into a novel. As negative as that all sounds, by the end I appreciated this book. Any negative reactions I had were more from just how off the book feels after the first. It's like going to see a movie expecting a comedy and it turns out to be a good drama. Even though the movie was good you can feel a little disconcerted. This book ends up being a lot like the Silmarillion to the hobbit, or chronicles of Riddick to pitch black. The first story is very character driven in a much more isolated world, and then the sequel, or other book, spends the majority of the time expanding the universe instead of capitalizing on the existing characters. There really just isn't a sequel to Gideon the Ninth without expanding the universe. The world was too small for the characters to really grow. So this book is about world building and I felt that was done really well. The universe feels very unique and interesting, and opens up a lot of opportunity for what the 3rd book can be. I would guess that there was a bit of a kill your darlings situation with the first book where the extended universe was drastically cut to get to the meat of the story, and this was a book to get all that out. I'll also note that the story of Harrow is still good even if it is dragged out. The last 1/3 of the book is much better in this regard. So, I think the secret to enjoying this book is to understand that it is really two things put together. A really cool world building effort with a character story that's dragged out through the first 2/3rds and then really committed to in the end. I liked it by the end, but I would be disappointed if it doesn't get back to something more character driven in the 3rd. Also, I think this would have worked better as a couple of novellas.

I did not know it was possible to love the Locked Tomb series any more than I already did after Gideon the Ninth, but here we are! This book does a fantastic job of making you think you possibly had a stroke while reading the 1st one. We have flashbacks that are not any where close to the 1st book, characters are mysteriously missing, and Harrow's memory is completely shot. But then we find out we have the world's #1 most unreliable narrator in Harrow! And the pieces all fall into place, what happened and what is happening. I will warn that the book can be confusing due to this and we jump around timelines a bit but just keep reading - it will all make sense. This book of course does not have the same tone as the first, but that was expected for me - Gideon and Harrow could not be more different. This book really solidifies our knowledge about the Emperor, what the Lyctor's actually do for him, and what/who Blood of Eden is/are. The additional story at the end "As Yet Unsent" really helped fill in missing pieces about BoE as well. I am so excited to read Nona and see where this story goes. The plot is utterly massive (love it, obsessed) and all the characters are well fleshed out (even the baddies). I am obsessed with this world, I love it. It's so original, I've never read a series like this before. I will definitely be re-reading and then will be massively depressed until the 4th book is released!

More than halfway through Harrow and I was ready to give the book three stars. Harrow follows directly from where Gideon ended, but is written very differently. Most of the book takes place on a space station, the Seat of the Emperor. There are only six people there: The Emperor, Harrow, Ianthe, and the Emperor’s three remaining Lyctors, Mercymorn, Augustine and Ortus. However, there is something wrong with Harrow; making her an “unreliable” narrator who is blindly following instructions she has left for herself, written in her own hand. I’m not the biggest fan of narration by possibly insane characters, but it was an even bigger struggle here because Muir chose write nearly all the book in second person point of view. I completely understand why she chose to do so – the style suits the story being told. I still hate it. It’s an awkward POV and makes it easy to forget who the events are happening to. The waters are muddied further by the fact that some alternating chapters go back to the events of the first book, but those events are now different. I figured out quickly what was happening, so it felt like a lot of time – too much time – was spent unnecessarily “rewriting” history until the big reveal of why Harrow came to be like she is. The plot did not advance for far too long. Nevertheless, I read the book almost straight through because of the worldbuilding. Readers get a bit about the Great Resurrection through which the Emperor saved humanity, much more information about the planet revenants that are hunting the Emperor and a whole lot on necromancy. I enjoyed how Muir’s necromancy is treated more like a science, with expertise in various disciplines (bone magic, flesh magic, spirit, etc.) I like the new Lyctors. And frankly, I absolutely loved the Emperor Undying/God. He is fascinating and his interactions with Harrow and the rest of the characters are the highlight of the book. The book jumped from three stars to five solely because of the last third (and that scene with the soup, omg!). When Muir begins to tie all the threads together, when the plot against the Emperor is revealed, when we see what Harrow set in motion, who is in the Locked Tomb – I could not put the book down. The conclusion, while something of a cliffhanger, was excellent. I still feel too much time was spend on Harrow’s “madness”, but the story toward the end fulfilled the potential of book one so that I cannot wait for the finale, and more John.

First, I'm a 62-year old technical guy. I've been a science fiction reader my whole life and when I read the description of 'Gideon the Ninth' as 'Lesbian necromancers explore a haunted gothic palace in space', I WAS THERE. Mind you, I cut my teeth on E.R. Burroughs, Clark Aston Smith, Frank Herbert, S.R. Delany, and Lovecraft, so world-building genre mashups are kind of my thing. And I do okay with uncertainty in story development (I prefer my books and movies to answer 9 out of 10 questions, as opposed to 11 out of 10...). Anyway, Gideon the Ninth was a great read. Its prose was fairly dense (which I enjoy), with thematic elements that reminded me variously of Peake's 'Gormenghast' trilogy, C.A. Smith (especially 'Zothique' and 'Xiccarph'), with even a bit of Chip Delaney's 'Dhalgren' thrown in. The front end is kind of missing some exposition that would have gone a long way toward helping less patient readers get their bearings, but the story eventually develops into a coherent, if slightly patchwork, narrative. As mentioned in the headline, I consider Muir's world building technique to be almost impressionist. The use of humor throughout also worked, although I think that Ms. Muir should have stayed more in the world of her own creation rather than relying on early 21-century English idioms (Think of it this way: 10,000 years from now, language, and especially English, will be very different from what it is now. If you're going to build a world, own it, including the language your characters use. You can still use the Queen's English to make the story understood, but just pepper it up with its own flavoring. One well-known example of this is Burgess' 'A Clockwork Orange'.) Would I call it a YA or 'coming-of-age' story? No. The main characters, although young, are not children. As recently as 100 years ago, young people were called upon to shoulder adult responsibilities and make mature decisions (Kind of shows you how far we've fallen, doesn't it? Thank you, DoEd.). The characters in Gideon are raised in similar environments with similar expectations. And they all understand that, in the universe of Gideon, mercy is a pipe-dream. Overall, I enjoyed it. It did have a few minor niggles, but worked for the most part. Tamsyn Muir is a definite talent to watch. Highly recommended. BTW, I've started 'Harrow the Ninth'. If you've read or are reading 'Gideon', here's my one word review: Disorienting. (But definitely stick with it.)

This is really a 3.5 star review, based on the content + price. I finished the book. I liked it. I liked it enough that I will likely buy the next book (the writing style really is first-class -- well beyond a 5-star rating -- like, best I've read in years amazing). But I'm hoping the author is more gentle on her readers in book 3. Help us out a little more -- we're reading this for pleasure, not an English Lit class. I want to give the next book a 5-star review. I decided to round down in my Amazon rating because this book was expensive & ultimately, I felt let down. Detailed Review: I love the author's creativity and style. Her writing is visceral AND overly-educated: it's the perfect combo of mind/body. I have a huge vocabulary & still learned new words. After starting this book, I stopped after a few chapters & went back and re-read Gideon because it had been too long since I read the first one & I was lost. After re-reading Gideon, I was still confused & that's when I realized that something bigger was going on. There is a completely alternate reality that the MC remembers. If you aren't fresh on book 1, you need to go back so that the dichotomy between the two is apparent. The author is hard on her readers -- for the first 75% of the book, I was often lost. I really wish this part of the book had been condensed. For me, it wasn't necessary to force us to experience all of this confusion. I finished the book and even more than Gideon, I still don't fully understand the plot of Harrow. The fact that I couldn't follow the action made it a difficult read. The end of Gideon was like that, where lychtorhood is obtained & there's the dramatic fight conclusion ... I didn't fully grasp everything going on, but it didn't matter, because I got the gist & the love/sacrifice/etc. made the actual action-sequences almost irrelevant. But here, there's SO MUCH I didn't understand. This is kind of like James Joyce in a sci-fi/fantasy setting -- quite the literary read. But my literary tastes run more to Fyodor Dostoevsky & Henry James, so this was too meta for me. The characterization of Gideon rings so true/real, but Harrow was so difficult to connect with -- in part by design, but in part, because I'm not sure the author loves her as much as she loves Gideon. (Remember how I said the author's style was first-class -- check out the 2nd person narration in select chapters -- AMAZING! But it took me 1/2 the book to understand whose POV I was experiencing.). I didn't get Harrow's self-hatred when I should have -- that had to be pointed out by other side-characters. This flaw was there in Book 1, too -- but you don't get that as much because we're so thoroughly sunk into Gideon's POV. The best scene in the entire book for me was in the aftermath of Harrow cooking soup. All the emotional resonance I wanted was there. The sparseness of explanation & the sudden simplicity was BRILLIANT. All in, I spent too much of the book in a confused haze, so couldn't enjoy this as much as the first book. As a work of literary fantasy -- hats off! But I think the author has veered too far on the Joyce-side of writing & I worry that Book 3 will be a DNF (did-not-finish) for me if it's as challenging as this one.

This picks up immediately after its predecessor Gideon the Ninth, plunging the reader straight back in with nothing in the way of reorientation. Harrowhark, necromancer of the Ninth House, has ascended to become a Lyctor to the Emperor along with Ianthe of the Third House, a status achieved by the deaths of their respective cavaliers. The story is told along two lines: one in the present, told in second person, with Harrow struggling to orient herself to her new reality and the war she is intended to fight against the Emperor’s enemies. In the other, told in third person, she experiences Canaan House from the first book all over again…but this time, instead of Gideon Nav serving as her cavalier, it is instead Ortus Nigenad. Naturally, things unfold differently than they did in the first iteration of the story. While I was able to keep my head around the plot in Gideon, for the most part, I will confess that I got completely lost in Harrow, despite pulling open the Wikipedia plot summaries for both books while I was reading in a desperate attempt to figure out what was supposed to be going on. It helped a little, but not a lot. I do not think I am alone there, I think this is a book where you either have to decide to let go of really understanding everything that’s going on and just roll with it or you’ll get frustrated quickly. Once I decided to go with it, I found it a very entertaining experience. I had a hard time putting it down and always wanted to pick it back up. Character remains a very strong suit for Muir, I had been very bummed to be losing out on the snarky perspective of Gideon that was so delightful in the first book but but prickly, proud Harrow won me over. And the new characters, the Emperor and his Lyctors, were just as enjoyably rendered. Muir’s prose and dialogue also shine, full of clever references to both classical stories and pop culture. I can’t wait to get to the third book and am eagerly awaiting the fourth (and final planned one) as well. A treat of a reading experience despite a convoluted plot.

If you put House of Leaves and Game of Thrones in a blender, threw in a double handful of human bone and a couple tabs of acid, chanted a techno-backed Christian funeral dirge at it while it was mixing, and then chugged until you were physically ill, you might be getting somewhere in the ballpark of my experience reading Harrow the Ninth. It's a hell of a book, you guys. Extremely mild spoilers ahead. Harrow the Ninth has recently become a minor god. It's not nearly as much fun as it sounds. Unfortunately, Harrow has also lost her mind. Finding it again could be a real trick, since nobody else seems to give a damn, and she herself has decided not to try. Stuck on an ancient space station with God and all his best frenemies, her only ally is another recently awakened minor god who is better at it than she is, and also hates her. Also, and this absolutely cannot be overstated, Harrow is truly, deeply, aggressively insane. Between the hallucinations, the impending arrival of the vengeful ghost of a murdered planet, and somebody doing everything they can to kill her, Harrow is just barely staying on the right side of death as it is. So when she uncovers a plot to assassinate God, can she get her act together long enough to stop it? And if so, does she want to? Please understand, I almost didn't put a spoiler alert on this synopsis, because none of that is a spoiler. That's barely even the plot. Those are just a few of the many, many things that are going on, all at once, in a grand orgy of utter lunacy. By the end, things have gone so far off the rails that most of that stuff is just... things that happened at one point. I have never read anything so majestically, brilliantly, enthusiastically deranged as this book. DO NOT read this book without reading the first book in the series, Gideon the Ninth. Never have I encountered a novel so utterly dependent on you reading the predecessor to understand any of what is going on. If you don't read Gideon first, don't even bother. Harrow is not a book that can be read as a standalone, period. Don't come crying to me if you try it. Harrow the Ninth will not be for everyone. It's complicated and non-linear. The narrator is unreliable (again, not a spoiler. She's crazy). It's dark and kind of nasty. It doesn't feel anything like the first book. And the ending, for all its strange glory, is a bit of a mess: full of exposition and scenes that weren't quite set up right, payoffs not quite earned, and plotlines left swinging in the void. Enjoy it for what it is, if you can. I certainly did. I love it with a terrible passion, and I hope you do, too.

I liked it

This is book two in the locked Tomb series. This is Science Fantasy or what was once known as space opera so pseudo magical powers and hand to hand combat involving swords goes hand in hand with Space Ships. Set in a futuristic empire where the Emperor Undying has mastered the power of death in his long war agaisnt a powerful enemy in book one the call went out to the nine houses of the empire to find new Lyctors, also known as Necro saints, the emperor’s most powerful servants most of the original nine have been destroyed in the long war. The events of that novel Gideon the ninth directly lead into this so if you are new go back and start there. While on the surface the format is near identical to Gideon the ninth, a young inexperienced queer protagonist is trying to find her way in a universe much bigger and more dangerous then she could imagine, in practice this is a very different experience. Where Gideon started her book as a fun loving teen desperate for adventure in a book who despite its Strange setting was mainly a straight forward adventure with a mystery at the heart of it, Harrow starts book two traumatised suffering from PTSD physically depleted with none of the combat skills that should have come with becoming a Lyctor, one of the Emperor’s undying Hands, with her Elders in the emperor’s service foretelling her demise. On top of that she is having recurring hallucinations, is at the mercy of the newly made lyctor Ianthe, and most worryingly can’t remember a certain someone from the first book and is instead remembering and dreaming about those events with another character in there place. All this set agaisnt the coming of the Emperor’s ancient, implacable enemy one who has destroyed Lyctors far more powerful and accomplished then Harrow. Told mainly in the 2nd person this is a gothic, overwrought tour de force of a novel while that may sound very dreary or dark while Harrow hasn’t the outsider perpesctive that Gideon had, Harrow is about as close to the ideal of a necromancer that you can get, Harrow is still a brilliant bitchy 17 year old with razor sharp observations and who is quick with a come back so the book is filled with humour if a good bit more pitch black then Gideon. The mythology expands and develops more about the emperor and his hands and there enemies are revealed even as it asks for more questions then it answers. Indeed if you were to pick a fault it’s that the ending doubles down on the mysterious and the metaphysical and has a lot going on to the point where I was not clear what happened at all on first reading and had to do a reread how you take that I suspect will directly affect how much you enjoy the book, in my case i thought it fit the whole tone of the book where Harrow, and the reader, doubted the reality Of everything and where unlike Gideon, Harrow neither expected or looked for easy answers. This is a amazing second book in many ways it’s a mediation on grief if shot through with some very funny moments, with it’s strength like Gideon the Ninth lying in its characters and there surprising depths and the strength of there entanglements with each other but it is brilliant and I now I wait with bated breath for book three. Magnificent.

It begins well, picking up after the first book and taking the story from a planetary level to one encompassing the galaxy. And that is where it starts meandering, mixing Harrow's relationship with Gideon with that of the perils of whole humanity. And the mix is not smooth. Sometimes it felt like the objective is to confuse the reader into a perception of a complex story. And the new constructs introduced do not have sufficient basis to comprehend. Overall, it reminded me of the experience after seeing LOTR Fellowship of the Rings movie (having not heard of the books before). Utter confusion as to what actually happened at the climax, with the expectation that the movie is yet to finish, inspite of the rest of the audience leaving the theatre. The plus side there was that it drove me to the world Tolkien, where my curiosity was whetted. Here, with no such safety net, the only hope is that the third and final instalment brings the threads together to a wholesome and satisfactory conclusion. And more importantly, that it comes soon, so that all the characters and the story till now does not dissipate.

This book gave me the entire spectrum of emotions while simultaneously making me stretch those brain muscles trying to figure out just what on earth what was happening. ) No longer Gideon as the MC in this book, Harrow becomes the MC, & you actually start to empathise & understand why she is the way she is and dare I say it, come to love her? At least did. All I wanted to do was cook a nice meal for her, wrap her in layer of warm blankets (perhaps give her a black Oodie so she can match her aesthetic while also being snuggly) & throw on a movie that she will pretend to hate & scorn out-loud while also secretly enjoying it. The life of a Lyctor is not an easy one, especially when you didn't go into it fully prepared, or fully by choice, & especially when you're hiding parts of yourself, from yourself. This story has more layers than an onion, more rings than a thousand year old tree! The world building is divine, the character development is exceptional, & the plot is chaotically, insanely brilliant. However to even begin to actually explain the plot without spoilers from the first book would end up in chaotic sentences which would make me look less than sane, but guarantee if you enjoy books with Necromancers, redemption, murder plots & mysteries upon mysteries, give this series a go. Be warned though, this book will break your heart!

5/5 for the plot of the book, this 1/5 review is about of the quality of this copy. The book is NOT original. While the listing and copyright page claim it's printed in the USA, this copy is a cheaply-made knockoff re-print from Wrocław, Poland. The spine and cover are misaligned. The misalignment carries into the inside of the book where a few pages (for example, the title page and the "act one" page in my photos) have a strip that should have been printed but isn’t. The cover has scratches all over it. The book lacks the blue "insert" that is supposed to peek through the front cover. The margins are differenet throughout the book: 1,3 to 1,6 cm - this may seem miniscule but it was enough for me to notice at first glance and annoying enough to measure. The paper feels different than in the original, poorer quality. The contents of the book seem to be fine (no missing pages etc) but the book feels very bad quality.