Angela's Ashes

The best book I've read this year. If Neil Simon were to have written a novel it may have well looked like this book. A unique voice and style applying humor in all of the right ways for a reader to absorb the sad tragedy of growing up poor, Irish, and Catholic during the depression years, in America, and Ireland. Frank McCourt is able to overcome the pathos of his poignant, sad, and often disturbing memoir of growing up as the oldest son of a poor Irish Catholic family, through use of voice. In Angela’s Ashes, Frank McCourt presents his memoir though the limited first person view of a young boy. He creates comic relief in using the voice of a small child, as he grows up, first in New York, and then in Limerick, Ireland, during the time of the depression, and its aftermath. McCourt presents a tragic account of his family that would generally overwhelm any reader, unless presented through the eyes of a child, who often does not realize the hardship he has undergone, and whose innocent, limited view allows him (and the reader) to keep going. McCourt pushes the reader through the grief of near starvation, the upbringing by an alcoholic father, misguided mother, loss of younger siblings, and the stigma of growing up, poor, Irish, and Catholic, at a time when all three were considered an affliction, like some disease, rather than circumstance. He manages to hold the reader’s interest, without overwhelming her with pathos, by his character’s youthful voice, through artful dialogue, carefully crafted to allow the reader to see the lighter side of his tragic life. His choice of colloquial terms of endearment unique to the Irish of this era, calling his mother “Mam” instead of mom and using “Och” at the start of dialogue summary of the characters who likely had an Irish accent. In the very first paragraph, the author lets the voice of the narrator, pick up the easy ebb and flow of the Irish manner of speaking, and use of the vernacular of an American Irish immigrant, to recall his humble beginnings. “My father and mother should have stayed in New York where they met and married and where I was born. Instead, they returned to Ireland, when I was four, my brother, Malachy, three, the twins, Oliver and Eugene, barely one, and my sister, Margaret, dead and gone.” (McCourt, 11). The reader can almost picture an Irishman speaking as the story begins. McCort introduces comedy into his narrative voice, an older, more mature, man looking back on his life, when he recalls his father: Malachy McCourt, was born on a farm in Toome, County, Antrim. Like his father before, he grew up wild, in trouble with the English, or the Irish, or both. He fought with the Old IRA and for some desperate act he wound up a fugitive with a price on his head. [] When I was a child I would look at my father, the thinning hair, the collapsing teeth, and wonder why anyone would give money for a head like that. (McCourt, 12) This establishes the comic tone of the story through the voice of the character, recalling through his inner thoughts as a child, later through narrative summary, what he was told by his grandmother when he was thirteen; “as a wee lad, your poor father was dropped on his head. It was an accident, he was never the same after, and you must remember that people dropped on their heads can be a bit peculiar.” (McCourt, 12). This revelation becomes more humorous when the reader reconciles it with the story of how the grandmother’s brother, Patrick “Ab” Sheean, became retarded, after his alcoholic father dropped him on his head, when he was a baby. (McCourt, 13). Living with an alcoholic father, even one that is not necessarily abusive, can be a rather difficult subject matter for any reader to plow through, particularly where his alcoholism leave the family so impoverished that his family is near starvation, while he spends what little money on ale however, McCourt’s use of a limited first person view through a child’s eyes, the reader is given an account that is both tolerable, and sometimes funny. Here the voice of the child character portrays the tragic account of life in an impoverished alcoholic family with both catharsis, and humor. He uses word choices indicative of an Irish child, and through creative use of point of view, and method of speaking like a child, he says: When Dad gets a job Mam is cheerful and she sings, Anyone can see why I wanted your kiss, It had to be and the reason is this Could it be true, that someone like you Could love me, love me? When Dad brings home the first weeks wages, Mam is delighted, she can pay the lovely Italian man in the grocery shop and she can hold her head up again because there’s nothing worse in the world than to owe and be beholding to anyone. She cleans … she buys … and … on Friday night we know the weekend will be wonderful. … Mam will boil the water on the stove and wash us in the great tin tub and Dad will dry us. Malachy will turn around and show his behind. Dad will pretend to be shocked and we’ll all laugh …(but) when Dad’s job goes into the third week he does not bring home the wages… we know Mam won’t sing anymore one can see why I wanted your kiss. She sits at the kitchen table talking to herself… and Dad rolls up the stairs singing Roddy McCorley. [By the fourth week] Dad loses his job…(McCourt, 23-28). When his new baby sister, Margaret, dies, and his mother shuts down and stares at the wall, the use of a child’s voice enables the reader to somehow cope with the description of neglect of the other small children living in a roach infested apartment, with no food, and having to fend for themselves while their alcoholic father is still out at the pub. Later, when Oliver, one of the twins dies of pneumonia, followed by his brother, Eugene, McCourt’s use of his child’s voice, delivering death of his brothers, and baby sister Margaret into that child’s view that is both tolerable, and hopeful, despite the tears it brings to the reader’s eyes. Malachy and I are back in the bed where Eugene died. I hope he’s not cold in that white coffin in the graveyard though I know he’s not there anymore because angels come to the graveyard and open the coffin and he’s far from the Shannon (River) dampness that kills, up in the sky in heaven with Oliver and Margret where they have plenty of fish and chips and toffee and no aunts to bother you, where all the fathers bring home the money from the Labour Exchange and you don’t have to be running around to pubs to find them. (McCourt, 90). By using comic relief, McCourt is able to keep the reader from being too overwhelmed with pathos for the despair that so many tragic events, death, starvation, alcoholism, poverty and the disdain of insensitive people. He delivers the relief in the familiar family situations that bring smiles, along with the tears. Like when the mischievous brothers climb downstairs when their parents are sleeping and try on the false teeth that sit on the shelf by the sink, and Malachy is unable to remove his father’s big teeth from his mouth and has to go to the hospital. Although a near tragic event, McCourt is able to find the humor in the situation, and relay it to the reader in a believable child’s voice, telling the story. McCort’s portrayal of the family living upstairs in a house where they are unable to live downstairs because of the overwhelming odor from the sewage of many other families which is dumped near their front door, although not funny, is made humorous where the inspectors for the Saint Vincent De Paul Society are told by Malachy, still a child, that his family lives in “Italy” a term they have dubbed the upstairs part of the house where they live. (McCourt, 104). Additionally, when the grandmother stops talking to, and supporting the family, the tragic effect of this fact is reduced when the reason is provided in an anecdote where the main character reveals it was because he puked up God in her backyard after he came home from his first communion, (McCourt, 129), and where he had “God stuck to the roof of (his) mouth.” (McCourt, 128). The reader is compelled to laugh at the thoughts of a child, over a potentially touchy situation that interferes with the grandmother’s faith, and causes a serious rift in the family. Even when the main character’s mother lies dying, and he and his brothers are brought to their aunt’s house, McCourt creates a moment of levity to relive the reader of her heavy heart when he hears his fat aunt in the other room tinkling, and he is afraid to tell his brothers because he thinks they will all break out laughing: “at the picture in our heads of Aunt Aggie’s big white bum perched on a flowery little chamber pot.” (McCourt, 242). Later, when he delivers a message to an Englishman, is dragged into the house, forced to drink sherry and ends up puking on the rose bush belonging to the man’s wife, and is later dismissed from his job, where he is saving to go to America, the reader is spared the severe disappointment by the humor in the story, and a voice that keeps comic relief in everything it describes. (McCourt, 328-329). The book ends on a note of hilarity where the main character, on his way to America, is about to have sex, and a priest comes to his door. “The bad women bring out sandwiches and pour more beer and when we finish eating they put on Frank Sinatra records and ask if anyone would like to dance. No one says yes because you’d never get up and dance with bad women in the presence of a priest …” Despite all of his suffering, McCourt is as entertaining as his is hilarious. He has an enviable voice, Angela’s Ashes is a tribute to any mother’s memory. # __________________ McCourt, Frank. Angela’s Ashes. Scribner. New York. 1996.

Book review: “Angela’s Ashes” by Frank McCourt...First & foremost, this book taught me that there are levels of poverty. For example, there’s regular poverty, Irish poverty, Irish Catholic poverty, and (worst of all) Irish Catholic poverty in the 1940s. The book is an autobiography on Frank McCourt growing up in Limerick, Ireland. The book won the Pulitzer Prize and, quite frankly, he deserved it...as sad as it is, it is very well written, flows nicely, and keeps the reader wanting more. Some of my favorite highlights from the book: 1. “As a child, I thought a balanced diet was bread and tea, a solid and a liquid.” Frank McCourt 2. Frank McCourt had beautiful handwriting—a “fine fist” as they said in the old country—and he wrote Angela’s Ashes in longhand. 3. I had heard the term Soupers but never knew what it meant: “We had the soupers in the Famine. The Protestants went round telling good Catholics that if they gave up their faith and turned Protestant they’d get more soup than their bellies could hold and, God help us, some Catholics took the soup, and were ever after known as soupers.” 4. All this time, I’ve been saying Jesus, Mary, and Joseph! Evidently, I’ve been saying it wrong. Per the book, it’s...Jesus, Mary and Holy St. Joseph! 5. Frank’s Mom had a decent sense of humor. Irish Catholic wives were supposed to have children relentlessly. This was her reply after her last baby, Alphie (child #10!): “Mam says, Alphie is enough. I’m worn out. That’s the end of it. No more children. Dad says, The good Catholic woman must perform her wifely duties and submit to her husband or face eternal damnation. Mam says, As long as there are no more children eternal damnation sounds attractive enough to me.” 6.) On your 16th birthday in Ireland, it was tradition to have Your Father take you to the local pub for your first pint Of Guinness (boys only of course)... 7.) The funniest story in the book was when the family was literally cutting the wood walls of their home to use as firewood and were running out!: “Mam says, One more board from that wall, one more and not another one. She says that for two weeks till there’s nothing left but the beam frame. She warns us we are not to touch the beams for they hold up the ceiling and the house itself. Oh, we’d never touch the beams. She goes to see Grandma and it’s so cold in the house I take the hatchet to one of the beams. Malachy cheers me on and Michael claps his hands with excitement. I pull on the beam, the ceiling groans and down on Mam’s bed there’s a shower of plaster, slates, rain. Malachy says, Oh, God, we’ll all be killed, and Michael dances around singing, Frankie broke the house, Frankie broke the house!” 8.) I had never heard the term American Wake but this makes perfect sense: “Mam says we’ll have to have a bit of party the night before I go to America. They used to have parties in the old days when anyone would go to America, which was so far away the parties were called American wakes because the family never expected to see the departing one again in this life.”

Ireland in the 1930s and 1940s was a poor place. Their hate for the English had been simmering after centuries of oppression as the English extracted all the food and wealth from the smaller Irish nation and left the locals with nothing. Despite this reality, many Irishmen went to England for work and better wages. Frank McCourt’s father went, and instead of sending the money home to his wife and four kids, he spent it on the drink. With an absent father, his mother begged in the streets. She asked the local church for whatever they could spare and often came home empty handed. Without coal for the fire, the family spent many nights cold and hungry. She had seven children, four of whom survived to adulthood; the twins died at two and the lone baby girl didn’t make it six months. Her own mother hated her for marrying a man from North Ireland and having his children and never let her forget it. Her sister was bitter and selfish. Throughout his childhood, Frank McCourt was hungry all the time and his physical growth was stunted from malnutrition. Breadcrumbs were priceless. Many of his teeth were rotting and falling out of his mouth, he barely survived typhoid fever, and he lived many years of his life with an eye infection that gave him blurry vision. He had one set of clothes; the ones he was wearing. He slept under newspaper and used the walls of his house for firewood. He shared a bed with his family and also a family of fleas. He was beaten at school by his teachers for insubordination. Frank also loved to go to the cinema on the weekends and he gorged on toffees when he had an extra penny. He was proud to take care of his younger brothers when his mother and father could not. He loved to read, and had excellent hand writing—known as having a “fine fist.” Despite his bleak circumstances, he found opportunities to play. His writing is innocent, just like a young boy would be growing up in a confusing world, and as he relates his story, he comes across as a very curious youngster. However, asking questions of his elders was frowned upon, and he was often left to wonder about the mysteries of life. Mysteries like: why is my dad an alcoholic while others aren’t? is it a sin to steal food if I’m starving? and why did the twins die when they were only two years old? The book is captivating, heart-wrenching, and funny. It’s a great reminder that no matter how bad you think your life is, someone else’s life is harder, and even Frank McCourt’s story echo’s this sentiment: there were many families worse off than his. McCourt was lucky enough to have shoes while some kids went barefoot every day, even in the winter. He also had enough food to survive to adulthood. Other kids did not. Reading this book made me laugh, cry, and ultimately feel grateful for the things that I have.

This is my husbands favorite book and he reads it at least once a year. Probably going to order another copy for him.

This was one of my husband's favorited books. I finally read it this year and I loved this book so much that I ordered a copy for my son.

I found the book to be a very moving story of an Irish family who faced gut-wrenching poverty with fierce determination. McCourt is effective at characterizing the shame and suffering that poverty forces on his family, but it appears that many critics think that the squalor that is conveyed is exaggerated. In reading the book, I kept hoping that there would be some respite from the squalor, but it seems that it was endless and it became very tedious. I am not suggesting that poverty is not excruciating, but I believe that the exaggeration leads to mental exhaustion that almost has the opposite effect. Despite these reservations, however, the book is well worth reading.

This book was hard to finish, but I made it. The entire book is in first person about the author, a young boy, Frankie, growing up in the poorest spots of Ireland. Seems as though from day 1 he was knocked around, smacked, shoved, generally physically abused from everyone in his life. No love came from anywhere. The writing seemed like one long paragraph. I don’t understand how Frank McCourt made it to adulthood and achieved such glory.

A brilliant, touching, funny story told in a unique voice. A must read. It will charm you and you won’t want it to end- and yet you will feel compelled to keep reading, to finish it.

bellissimo, giusto, arrivato subito

Es un libro maravilloso, y más aún en versión original. Te permite mejorar tu nivel de inglés mientras disfrutas de una memoria muy bien escrita, una historia dura pero que te abre la mente de una forma única! Muy muy recomendable!

I first heard about “Angela’s Ashes” from The New York Times’ best 50 memoirs. Though there were 50, I narrowed it down to 6. Angela’s Ashes is one of them. I’m glad I picked it. Also, I didn’t know that it has won the Pulitzer Prize, so there was an extra layer of welcome to read the book. The book is kind of slow to start with even though the narrative is fast. It starts with a brief history of the family. After that it is poverty all the way through and how he and his family scrape through. Despite the never-ending poverty, what makes it readable in the richness in writing. The book is very engaging and only half way through the book, I decided that I need to read his sequel, “’Tis”. Also, the sequel’s sequel “The Teacher Man”. The only other time I ever wanted a sequel was to “The Girl with the Dragon Tattoo” movie. At a chapter, when he is 13 going on 14 and he and his family is living in another person’s house, there are some really humiliating and embarrassing scenes which I bet will leave you teary eyed. But also, the writer doesn’t write it seriously. It’s not used as a crescendo moment. It’s the first time where I really discovered the Tragicomic aspect in a book. Its magical to say the least. You feel sad but at the same time appreciate the writing, which kind of makes you even. I like the way the book ended. The chapters in the book simply start with Roman numerals and doesn’t contain any heading. The last chapter of the book is simply “’Tis” which is the sequel. It’s a nice bit of touch. The only other time I ever appreciated the naming of the chapters in a book is “Open”, the first chapter is “The End” and the last chapter is “The Beginning”. Strange, but you will understand when you read that book. The best thing about a memoir is that you become emotionally invested in the lead character. There is so much of emotions to relate and it can really be a trip down the memory lane, no matter how weak your memory is. Also, reading about the hard times, you will get to appreciate your life even more.

McCourt, Frank. Angela’s Ashes In 2016 Frank McCourt’s Angela’s Ashes will be 20 years old, but it is still as fresh as it was when first published. After retiring from teaching in America McCourt began sorting his memoirs of childhood poverty in Limerick in the early Twentieth Century. The book, which he never expected to sell more than a few hundred copies took him a little over a year to complete. It won the Pulitzer Prize and a cascade of other awards. It topped bestseller charts for more than two years. Only Charles Dickens has managed to capture the general reader’s imagination like McCourt. Told entirely from the child’s perspective, the narrative succeeds in drawing the reader into a charmed circle of listeners to a tale of poverty and survival against the odds. Frankie was given up for dead in the fever hospital, refused absolution by priests because he cannot abstain from masturbating and hence is not in a fit state to be absolved. He finds an ‘easy’ priest, but the minister falls asleep during his confession. Throughout the book, the Catholic religion controls the minds of rich amd poor alike, but the rich have other comforts; the poor simply beg and starve and mostly die young. Yet this memoir, which should have been an agonising read, remains buoyant to the end. Frankie’s father is a confirmed alcoholic and mostly absent, leaving his wife Angela to cope with an increasing number of starving infants. Frankie suffers the loss of his siblings but needs to work to keep alive the remnants of his family in a rat-infested, fleahouse that collapses in a flood. He helps unload the farmers’ carts on market days and ‘at the end of the day they’ll give me vegetables they can’t sell , anything crushed, bruised or rotten in parts.’ The boy manages to borrow books from the library, using Angela’s tickets to read about virgin martyrs ‘who always died singing hymns and giving praise not minding one bit if lions tore big chunks from their sides and gobbled them on the spot.’ But when the librarian finds him reading Lin Yütang she is horrified and dismisses him from the library for ever because of the use of one word - ‘turgid.’ ‘I know now what Mikey Molloy was talking about … that we’re no different from the dogs that get stuck into each other in the streets and it’s shocking to think of all the mothers and fathers doing the likes of this.’ Although now starved of books Frankie survives and graduates from being a telegram boy to a deliverer of newspapers and magazines and finally to writing threatening letters for Mrs Finucane, a rich old lady on her last legs who has him saying prayers for her soul. Then, Pennies from Heaven or in Frankie’s case pounds: ‘The Friday night before my nineteenth birthday Mrs Finucane sends me for the sherry. When I return she’s dead in the chair, her eyes wide open. I can’t look at her … but I take the key to the trunk upstairs. I take forty of the hundred pounds in the trunk … and I’ll add this to what I have in the post office and I have enough to go to America.’ He drinks the sherry and throws the ledger containing a record of debts owed by the poor of Limerick into the River Shannon.

A classic. It's difficult to blend misery and humor without it turning into caricature. Frank's portrayal of Ireland is rich, sensitive, brilliantly written. A page turner due to the empathy one has for Frank throughout, and the hope that he will survive.