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A brilliant study of one of the greatest epics of Indian cinema Mughal-e-Azam (1960) embodies grandeur in Indian cinema like no other film. The imagination and hard work of the makers is evident in every scene. The gigantic setting, the great performances, the poetic language, the brilliant technical quality and the sublime music contribute to its enduring appeal. However, Mughal-e-Azam is much more than just lavish entertainment. The movie takes a historical legend and converts it into a film epic that is enriched by several artistic and cultural traditions. The film also corresponds to the progressive ideas that defined the first decade of independent India. In Mughal-e-Azam: Legend as Epic, film-maker and scholar Anil Zankar unravels its cinematic strength through an understanding of the script, mise en scene, music and the nature of the conflict in the film. Review: Fire and Anklets - This well researched book deals with force of passion and anklets of death's music in the medium of films of iconic stature. This book raises issues related to illusion versus reality, history versus fiction, love versus revenge, elite stratification, state and class verses plebeian identities, values of justice and fire of state versus surreal love lores. The tradition of mixed languages, the relation of narrative to screen play, the reality and legend of Akbar, the fiction of Anarkali are brought together by Asif on the basis of a novel written in 1922 by Taj. The latter delved into the histories and legends, the tradition of evolving languages during 1870 to 1940 and the fable of Anarkali through the music of Indian classical ragas. Its uniqueness lies in its peep into music, language, story, screen play, costumes, making of exorbitant sets, shoes, technical aspects of film music fusion and sky rocketing budget of this iconic film. Just a draw back too. The human element of the artists, their preparation, distillation into performances is missing. One knows that when the film was being made the main love birds were on opposite side of a real life divide and yet their on screen rendering of the scene where Saleem goes to the quarters of the Kane's for the first time is an iconic scene. Remember the feather and the candle (anklet and fire).That and many other aspects need to be brought out, apart from how studio dummy horses were used for Prithviraj and Dilip Kumar and trans posed on the battle scene. The fire of state craft consumed love through death that gave the song: pyramid Kiya to darna Kya: Freedom. Review: Go for it. Worth it ! Tameel ho ! - Those who love the movie mughal-e-azam,like I do,know most of the things written in the book. Still,I loved reading the book. A small book written in nice style.
| Best Sellers Rank | #4,331,329 in Books ( See Top 100 in Books ) #4,541 in Television Performer Biographies #18,043 in Actor & Entertainer Biographies #48,723 in Performing Arts (Books) |
| Customer Reviews | 3.9 out of 5 stars 26 Reviews |
R**A
Fire and Anklets
This well researched book deals with force of passion and anklets of death's music in the medium of films of iconic stature. This book raises issues related to illusion versus reality, history versus fiction, love versus revenge, elite stratification, state and class verses plebeian identities, values of justice and fire of state versus surreal love lores. The tradition of mixed languages, the relation of narrative to screen play, the reality and legend of Akbar, the fiction of Anarkali are brought together by Asif on the basis of a novel written in 1922 by Taj. The latter delved into the histories and legends, the tradition of evolving languages during 1870 to 1940 and the fable of Anarkali through the music of Indian classical ragas. Its uniqueness lies in its peep into music, language, story, screen play, costumes, making of exorbitant sets, shoes, technical aspects of film music fusion and sky rocketing budget of this iconic film. Just a draw back too. The human element of the artists, their preparation, distillation into performances is missing. One knows that when the film was being made the main love birds were on opposite side of a real life divide and yet their on screen rendering of the scene where Saleem goes to the quarters of the Kane's for the first time is an iconic scene. Remember the feather and the candle (anklet and fire).That and many other aspects need to be brought out, apart from how studio dummy horses were used for Prithviraj and Dilip Kumar and trans posed on the battle scene. The fire of state craft consumed love through death that gave the song: pyramid Kiya to darna Kya: Freedom.
S**L
Go for it. Worth it ! Tameel ho !
Those who love the movie mughal-e-azam,like I do,know most of the things written in the book. Still,I loved reading the book. A small book written in nice style.
B**S
I have seen the film in black & film. ...
I have seen the film in black & film. This book does a bit further to explain the rational behind each scene the way it was executed.
A**R
Nothing new
Nothing new. All thing known. More research needed. Background info lacking. May be my expectations are more. Can be more informative
J**A
greater details of movie making!
good book, hav greater details of movie making!
T**N
a complete waste of time and money
For Mughal E Azam's fan, there is nothing new in the book, the author is just explaining the scenes in the entire book, I was expecting some new info or anecdotes, but there was nothing. a complete waste of time and money.
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