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A brand-new novel of terror that follows a teenager determined to break from his family's unconventional-and deeply disturbing-traditions.
| Dimensions | 13.49 x 2.79 x 20.96 cm |
| Edition | Standard Edition |
| Isbn 10 | 9781476783734 |
| Isbn 13 | 978-1476783734 |
| Item Weight | 1.05 Kilograms |
| Language | English |
| Print Length | 336 pages |
| Publication Date | 29 September 2015 |
| Publisher | Gallery Books |
User
YAUZA! Thrilling
Story that is very different from what you usually read. Disgust mixed with suspense mixed with terror.
User
Bueno
Llegó en perfecto estado :)
User
This book will sucker punch you, but its worth it.
Brother grabbed me immediately. From page one, it drops you straight into Michael’s head, already in motion, already trapped. You get a clear sense of his “life” and his circumstances very quickly, which gives the book room to slow down and fester. This is a slice-of-life story, just one rooted in something deeply wrong.The novel unfolds over roughly a year, though that is hard to pin down. Michael and his “family” are so far removed from modern life that clocks and calendars barely exist for them. Time is measured instead by events, trauma, and the scars those events leave behind. That detail matters, because it tells you everything about the world Michael grew up in.At a high level, the premise is simple and brutal. Michael and his “brother” Reb, short for Rebel, spend their days “hunting” women to feed their serial killer “mamma’s” appetites. They target hitchhikers, addicts, or specific marks they stalk for weeks to make sure no one notices when they disappear. They live deep in rural Appalachia, and the story feels anchored somewhere between the mid 1970s and early 1980s. Michael’s role is especially grim. After their “mamma” is finished, he is responsible for field dressing the bodies.Michael hates his life. He never truly feels like he belongs in his “family,” and he despises his “brother.” At the same time, he fears Reb and admires him in equal measure. He follows his “mamma’s” rules largely out of guilt, terrified that if he fails her, she will turn her rage on his “sister” instead. That guilt is the chain that keeps him in place.Things complicate further when Michael meets a girl during one of the rare trips into town he and his “brother” make. He falls for her completely, and that relationship only sharpens his desire to escape while deepening his sense of shame for wanting something better.The story is told through two perspectives, clearly marked by different fonts. One follows Michael in the present-day timeline. The other follows Rebel, starting in childhood and moving forward. This dual structure works incredibly well. It gives you empathy where you least expect it, and context where you might not want it.At its core, Brother is an allegory. It uses extreme violence and shock not just for impact, but to explore loyalty, obligation, and the suffocating weight of “family.” It is about blood ties, about the expectation that you are nothing without them, and about the quiet, dangerous urge to grow beyond your origins as you age out of your teens. Think of it as a coming-of-age story filtered through something closer to John Wayne Gacy than anything sentimental.Michael is a surprisingly sympathetic protagonist. Despite the awful things he does, and the fact that many of those things are done under coercion, he feels painfully human. Without spoiling anything, the ending gives every character what they deserve, including Michael. Even so, I found myself emotionally invested in him all the way through. When the book wants you to feel bad for him, you do. When it gives him moments of relief or hope, they land.You may notice I keep putting words like “family,” “brother,” “mamma,” and “sister” in quotation marks. That is intentional. After finishing the book, that choice will make complete sense. There is no other honest way to frame those relationships.Despite being marketed as horror, Brother is not scary in a traditional sense. Nothing here is designed to make you jump or feel fear. Horrifying things happen, but they are presented in a disturbingly mundane way. That is the point. The flat, almost casual prose around violence underscores how normalized this depravity is for Michael. This is not about terror. It is about rot.The book is bleak, uncomfortable, and at times genuinely stomach churning. It does not flinch from what it shows you. But Michael’s journey, and where it leaves him and the people around him by the final page, makes the experience worth it. There is one major twist you can probably see coming if you are paying attention, but even then, it still lands with the force it needs.At roughly 340 pages depending on the edition, it is a fast read. I finished it in about four hours. I strongly recommend it, especially if you are interested in horror that is more concerned with psychology and inevitability than with fear itself.
User
GREAT HORROR/THRILLER BOOK....DEFINITELY NOT EXTREME HORROR.
I really enjoyed this book, it was a great read! However, it's not Extreme Horror as one reviewer mentioned, he thought it was "Extreme Horror," it isn't 😳. Extreme Horror novels are Full Brutal (Kristopher Triana), or The Slob (Aron Beauregard)This book had a great storyline, was written very well, with awesome characters, and plenty of twists, turns and creepy scenes 👏Brother was an awesome horror/thriller, and by far my favorite story by Ania I've read...I have 9 of her books so far, and have read 3, other 2 were The Bird Eater, and Within These Walls. She is a great writer, and there's a reason she's in the top 10 horror writers today. I highly recommend this book to anyone who enjoys reading a great scary story with lots of emotion and lots of disturbing scenes 😳. I luv Ania ❤️, and look forward to reading all of her work 😊....
User
Cheap quality
The quality of the book is very poor. The papers will not last very long. It's very very thin and feels very cheap
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