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🎶 Own the British Invasion sound—compact, powerful, and unmistakably Ruby.
The Universal Audio UAFX Ruby '63 Top Boost Amplifier Pedal is a meticulously crafted stereo amplifier simulator that authentically replicates the iconic 2x12-inch British combo amp of the 1960s. Featuring three distinct channels—Brilliant, Normal, and Vibrato—this pedal delivers a wide tonal palette from sparkling cleans to crunchy overdrive. Its advanced mic, cab, and dynamic room modeling technology recreates the warmth and presence of a tube amp recorded in a live room. Bluetooth connectivity allows seamless integration with the UAFX app for enhanced editing and access to artist presets. Designed with a durable metal enclosure and weighing just 562 grams, the Ruby '63 is perfect for professional guitarists seeking vintage tone with modern flexibility.
| ASIN | B0B1KQMG6H |
| Amplifier Type | Tube |
| Brand | Universal Audio |
| Built-In Media | unit |
| Color | Ruby |
| Colour | Ruby |
| Compatible Devices | Musical Instruments |
| Compatible devices | Musical Instruments |
| Connector Type | 1/4 inch (6.35mm) TS/TRS Jack, Power Connector |
| Country of Origin | USA |
| Customer Reviews | 4.4 out of 5 stars 71 Reviews |
| Enclosure Material | Metal |
| Global Trade Identification Number | 00819937003332 |
| Item Dimensions D x W x H | 10D x 10W x 10H millimeters |
| Item Type Name | Guitar Effects Pedals |
| Item Weight | 562 Grams |
| Item Width | 3.62 Inches |
| Item weight | 562 Grams |
| Manufacturer | Universal Audio |
| Material | Metal |
| Mfr Part Number | GPM-RUBY |
| Model Name | Ruby |
| Model Number | GPM-RUBY |
| Output Channel Quantity | 2 |
| Power Source | Corded Electric |
| Product dimensions | 10D x 10W x 10H millimeters |
| Speaker Size | 12 Inches |
| UPC | 819937003332 |
| Warranty Description | 1 year Local Warranty |
D**M
Non c’è storia!
Universal Audio produce migliori simulazioni Fender e VOX attualmente in circolazione. Suono pazzesco e dinamica da vendere!
C**G
I Think You'll End Up Wanting Two
Well kinda. I think if you were looking for an amp free rig this would be the way to go if you were trying to eliminate some sort of Vox. It sounds like a Vox, feels like a Vox, can be adjusted just like a real Vox amp. But I tried one and sent it back and bought a Boss GX100. With a bit of a discount because the one I bought had damaged packing and had been out for a trial I didn't pay much more for the Boss than the Vox box. For the price the UA pedal is quite an expensive choice IMO - but it does perform very well if that's what you need - a small box instead of a weighty valve loaded Vox. For me the Boss GX100 pretty much does the same amp sim but it also has all the pedals built in as well - so for a guy like me that's just had a heart attack and is looking to downsize / reduce equipment weight / and simplify gigging, the Boss is an obvious choice. I'm recycling the Helix XL to do this as well. And the amp has gone in place of two 10" PA speakers that work off the GX100. I think the UA Vox is superb if you want a Vox sound (only). I can't find a single thing I don't like about it and the build quality is superb. But the Ruby only does Vox and I can see a time a few months out when I would also want to load the pedalboard with the Dream '65 or the Woodrow.....so that would be a pair costing £650? I'm a player and can't justify the hours I'd have to play to pay for those. If you are buying a Ruby instead of say a VOX AC15 I get it. But I think you're going to want two on the pedalboard - so......
P**N
UA 63 Ruby, simulation d'ampli à lampes vox AC30
Je n'ai jamais utilisé d' AC30 de chez VOX; une fois passé le temps d'accoutumance, je trouve cette pédale superbe: on peut obtenir des sons clairs ou saturés extras sur des micros simples bobinages (Stratocaster, Télécaster) ou doubles bobinages (Les Paul, Duesenberg); le toucher est très sensible et on a la la possibilité de permuter entre 2 sons dont un mémorisé (un clair et un saturé par exemple). Dommage: pas de possibilité de mémoriser plus d'un son. P.H.Galvin
M**R
Genial
Großartiges Pedal kann ich nur weiterempfehlen
C**R
Not Lies
It didn't sound exactly right to me at first. I had a friend let me borrow one, along with the Dream and Lion. Then I got to try the other cabs. The first of the extra cabs you get from registering is an ac15 cabinet mic'd with an SM57. That's the one that made me a believer as it sounds and acts identical to my ac15 now. It's uncanny. I did an A/B test with the Ruby using the ac15 cab, and my AC15 with a modern alnico blue into a torpedo captor, with a V30 cab sim. They were so close in that way that V30's sound like Blue's sound like Greens. There really isn't a huge difference between them. Close enough that if I did the work and hooked up an SM57 and used the blue in the AC15, I'm sure it's the same. To say this makes recording live guitar easier is an understatement. It's an important thing to understand about the Ruby though. I did try turning off their cab sim, and using my own after it. Suddenly it wasn't my AC15 anymore. The cab sims are a HUGE part of the sound in the Ruby. It's more than just a speaker choice. It's part of the output tube sound also. That said, it really loves BB style pedals and fuzz pedals. It loves the BE-OD and Suhr Riot. It adores all the fuzzes from EHX. The germanium boost on the normal channel is godly good. So you get a free one. It does mono in, stereo out, which is convenient for hooking up things. Their "room" delay people keep calling a reverb is ok, but it just made me want a better one. So I put a White Tape after it. Now i can make the room whatever size and shape I want. The Epitome seemed perfect for the Ruby since they are both flawless emulations. It's all the effects I need, other than an obnoxious phaser that can be in front of it. I am only using the Normal channel. This is my perfect pedal host. I might use the TB channel someday, but throwing some light chorus and reverb on the normal channel output sounds so good clean. It's a sound that makes you want to sell every fender amp you own. Brad Paisley could tell ya. You almost don't want to "buck hum" with it. The best sounds shine with hot single coils. The best complement I can pay a product is buying a backup. Well here I am buying one. Now that said... The Dream is outstanding. It might even be a better emulation. it's definitely a better pedal host, being more transparent with the cleans. You actually hear your pedals. Vox as a pedal host is accepting that you are going to get half your grit from the amp. You have to really want and like that sound. So if this is your first rodeo, and you are specifically looking for a pedal host, maybe get the Dream 65 instead or first. You get a fuller tone stack also, and a GODLY spring reverb that somehow sounds better than the real thing. I'm still "borrowing" one of those but I'm a weak man. The Lion, I love for what it is. it's clean tones are amazing. But I don't love the SLP sound enough to want it over vox + be-od, and I won't give up my vox cleans. That said, the Lion is probably the best choice for a gigging musician. It's the most versatile out of the box with nothing added. The new one, the Anti, I'm definitely snapping up at some point. So to wrap up, the tech works. It's kind of stunning. You can forget it's not the real thing. I've done it a few times. Turned to my left and spun a knob on my real AC15 then laughed at myself.
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